Young Saint John the Baptist
Ercole Ferrata, Italian, 1610 - 1686
17th century
Bronze
Overall: 9 1/4 in. (23.5 cm)
Weight: 3322 g (7.3 lb.)
Hood Museum of Art, Dartmouth: Gift of Evelyn A. and William B. Jaffe, Class of 1964H, through Friends of the Dartmouth Library
S.962.162
Geography
Place Made: Italy, Europe
Period
1600-1800
Object Name
Sculpture
Research Area
Sculpture
On view
Inscriptions
Not signed.
Label
The objects on this table evoke an early modern collector’s home—perhaps a studiolo in the Italian peninsula or a cabinet or Kunstkammer north of the Alps. Between 1400 and 1750, Europeans lived with, and expressed themselves through, sculpture. Three-dimensional and tactile, sculpture was regularly handled and moved, and spaces for exhibition in the early modern home facilitated active engagement with these works.
The sculptures in this grouping relate to the 15th- and 16th-century interest in Humanism, a tradition of learning with roots in Greek and Roman sources that emphasizes agency and inquiry. Sculptures of classical subjects like Arion or biblical ones like Eve could serve as prompts for conversation and debate about morality, philosophy, and literature. In this way, collections offered social spaces that connected friends, scholars, and rivals.
From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections
Course History
History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
A Collector's Choice, William B. Jaffe Memorial Exhibition, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 8, 1972-January 7, 1973.
Barrows Print Room, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, April 5-24, 1974.
Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, August 21, 1981.
Curator's Choice: Dartmouth College Permanent Collection, Jaffe-Friede, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, October 29, 1976-January 19, 1977.
Director's Choice, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 10-July 10, 1966.
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Permanent Collection, Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, October 20-November 30, 1972.
Provenance
Evelyn Annenberg Friede Jaffe Hall (1911-2005) and William B. Jaffe (1904-1972), New York; given to present collection, 1962.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu