Christ Presented to the People (Ecce Homo)
Rembrandt van Rijn, Dutch, 1606 - 1669
1655
Drypoint on laid paper
Overall: 14 3/16 × 18 1/16 in. (36 × 45.8 cm)
Hood Museum of Art, Dartmouth: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935
PR.997.5.92
Geography
Place Made: Netherlands, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Stamped, lower center: BR (L. 409); stamped, on verso: E 3025
Course History
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013
ARTH 82, History of Museums and Collecting, Joy Kenseth, Spring 2012
PHIL 23, Philosophy of Art, John Kulvicki, Winter 2013
SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012
ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013
SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013
SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014
SART 27, SART 28, Printmaking I-Intaglio, Printmaking II, Louise Hamlin, Winter 2014
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014
ITAL 23, Seventeenth and Eighteenth-Century Italian Literature and Culture, Nancy Canepa, Winter 2015
ARTH 83, History of Museums and Collecting, Joy Kenseth, Spring 2015
ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.
Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 120.
Envisioning Jerusalem: Prints from Durer to Rembrandt, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-June 19, 2011.
Forms and Messages: Selections from the Hood Museum of Art Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-March 10, 2002.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire. 29 January 2020.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 23-June 22, 1997.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 16-December 14, 1997.
Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.
With a Sincere Hand and a Faithful Eye, Harrington Gallery Teaching Exhibition, Art History 46, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 28-December 17, 2000.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, p.65, ill. p.64, listed, p.110, no. 224.
Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, pp. 30-31, fig. 32; p. 52, no. 120.
Fifteen Etchings by Rembrandt, London: Artemis Fine Arts Ltd., 1994, no. 8, ill.
Robert A. Hoehn, The Gospel According to Rembrandt, San Diego: University of San Diego, Founders Gallery, 2004, p. 60, ill. p. 61.
Provenance
Duplicate deaccessioned from the Bibliotheque Royale, later Nationale, Paris; Artemis Fine Arts, Ltd.; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, in 1994; given to present collection, 1997.
Catalogue Raisonne
New Hollstein (NHD) 290 /viii; Bartsch and Hollstein 76; Hind 271
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