View of a Town on a Riverbank
Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768
about 1740-1744
Etching on laid paper
Sheet: 11 3/4 × 17 1/16 in. (29.9 × 43.3 cm)
Hood Museum of Art, Dartmouth: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935
PR.997.5.30
Geography
Place Made: Italy, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower center: A. Canal f.
Exhibition History
"Italian Master Prints of the 18th Century: Selections from the Collection of Mr. and Mrs. Adolph Weil, Jr.", Montgomery Museum of Fine Arts, Montgomery, Alabama, September 16-November 4, 1984, no. 20.
"Two Views of Italy: Master Prints by Canaletto and Piranesi", Hood Museum of Art, Dartmouth College, June 10-September 3, 1995, no. 9.
Canaletto's Vedute Prints: An Exhibition in Honor of Adolf Weil, Jr., Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 1-December 6, 2015.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.87, no. 61.
Richard Rand and John Varriano, Two Views of Italy: Master Prints by Caneletto and Piranesi, Hanover: Hood Museum of Art, Dartmouth College, 1995, p. 92, no. 9.
Suzanne Folds McCullagh, Italian Master Prints of the Eighteenth Century: Selections from the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery: The Museum of Fine Arts, 1984, no. 20.
Provenance
Sold Sotheby Parke Bernet, New York; lot 471; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on May 7, 1976; given to present collection, 1997.
Catalogue Raisonne
R. Bromberg, Canaletto's Etchings, London, 1974, no. 9.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu