The Artist's Mother, Head and Bust: Three Quarters Right

Inscriptions

Inscribed, in plate, upper right: RHL [monogram] 1628 [2 backwards]; inscribed, on verso, in graphite: C. 37748

Course History

ARTH 86, Senior Seminar in Art Historical Theory and Method, Mary Coffey, Winter 2013

SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

ARTH 85, Senior Seminar in Theory and Method, Mary Coffey, Fall 2014

SART 27, 28, 74, Printmaking I-Intaglio, II, III, Ariel Frieberg, Spring 2015

ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 81.03, The Viral Image, Elizabeth Kassler-Taub, Winter 2022

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023

Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023

Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023

Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023

Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024

Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024

Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024

Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 1.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 74.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire. 29 January 2020.

Master Prints from the Fifteenth through Eighteenth Centuries from the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, September 11-November 6, 1977, and Museum of Fine Arts, St. Petersburg, Florida, July 2-August 14, 1978, no. 28.

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

Rembrandt's Journey: Painter- Draftsman- Etcher, Museum of Fine Arts, Boston, Boston, Massachusetts, October 26, 2003-January 18, 2004 and The Art Institute of Chicago, Chicago, Illinois, February 14-May 9, 2004, cat. no. 20.

With a Sincere Hand and a Faithful Eye, Harrington Gallery Teaching Exhibition, Art History 46, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 28-December 17, 2000.

Publication History

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, p.61, ill. p.60, listed, p.119, no. 257.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 12, fig. 10; p. 51, no. 74.

Hilliard T. Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 16-17, no. 1, ill.

Diane J. Gingold, Master Prints from the Fifteenth through Eighteenth Centuries from the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1977, p. 54, no. 28.

Clifford S. Ackley, "Rembrandt's Journey: Painter- Drafstman- Etcher", Boston, Massachusetts: Museum of Fine Arts, 2003, cat. no. 20, pp. 86 and 313.

Rembrandt Prints in the Collection of the Hood Museum of Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2006, ill. p. 3.

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, pp. 149-151, ill. p.149, no. 87.

Provenance

Colnaghi & Company, Inc.; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on July 9, 1971; given to present collection, 1997.

Catalogue Raisonne

New Hollstein (NHD) 5 ii/iv; Bartsch and Hollstein 354; Hind 1

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