The Goldweigher's Field
Rembrandt van Rijn, Dutch, 1606 - 1669
1651
Etching and drypoint on laid paper
Overall: 4 3/4 × 12 1/2 in. (12 × 31.8 cm)
Hood Museum of Art, Dartmouth: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935
PR.997.5.106
Geography
Place Made: Netherlands, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower left: Rembrandt 1651 Watermark: Fragment of a crown and fleur-de-lys (close to Heawood 2842)
Course History
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
SART 27, Printmaking I: Intaglio, Louise Hamlin, Spring 2012
SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2012
SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013
SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013
REL 60, Reformations: Protestant and Catholic, Catherine Randall, Fall 2013
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2014
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Art History 38.03, Asian Societies, Cultures, and Languages 70.02, East Meets West, Sunglim Kim, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.
A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 77.
Drawing from the Collection, Harrington Gallery Teaching Exhibition, SArt15, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-October 22, 2000.
Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 96.
From Altarpiece to Portrait: Assembling an European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover NH. 29 January 2020-TBD.
Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.
Virtual Space for Dialogue, 2018, Symbolic Landscape: Exloring the Semiotics of Landscape in Rembrandt's "Three Trees", Tess McGuinness, Class of 2018, Kathryn Conroy Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, https://www.tmcguinness.vsfd.hoodmuseum.dartmouth.edu/
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, ill. p.41, listed, p.117, no. 248.
Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 51, no. 96.
Hilliard Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 180-81, no. 77, ill.
Provenance
Christie's, New York; lot 86; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on May 10, 1982; given to present collection, 1997.
Catalogue Raisonne
New Hollstein (NHD) 257 only; Bartsch and Hollstein 234; Hind 249
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