L'Estrapade (The Strappado)
Jacques Callot, French, 1592 - 1635
1633
Etching on laid paper
Plate: 3 1/4 × 7 1/2 in. (8.3 × 19.1 cm)
Sheet: 3 7/8 × 8 1/16 in. (9.8 × 20.5 cm)
Hood Museum of Art, Dartmouth: Gift of Adolph Weil Jr., Class of 1935
PR.991.8.10
Portfolio / Series Title
Plate 10 from Les Grandes Misères et malheurs de la guerre (The Great Miseries and Misfortunes of War)
Publisher
Israël Henriet, Paris
Geography
Place Made: France, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, within image, lower left: Israel excud. cum Priuil. Reg.; inscribed, in graphite, lower right: 10; inscribed, in graphite, on support, lower right: 1348; Watermark, center: [under image] [indistinct]
Label
These two plates from the Great Miseries series graphically represent the torture enacted on captured soldiers. Later editions of Callot’s prints contained lines in verse below, which describe these images as the torture of dishonorable soldiers. Before assembled masses, the captives are strung from scaffolding or beaten on a wheel, their brutalized bodies put on display. Highlighted against the blank sky, the tormented men stand out to the viewer. In scrutinizing the little print, the viewer joins the gathered crowd of onlookers who are witness to the inhumanity on display. Despite the small scale of the works, Callot’s long lines create a visceral response to the horror captured in ink.
From the 2023 exhibition Recording War: Images of Violence 1500 – 1900, curated by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke 1, Summer 2023
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Josh Dannin, Summer 2023
Facilitated Experience: Special Tour - From Goya to Photojournalism, Summer 2023
Exhibition History
Fatal Consequences: Callot, Goya, and the Horrors of War, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-December 12, 1990.
Piranesi-Goya; Roma fantastica and the Sleep of Reason and Francisco Goya and Jake & Dinos Chapman: Disasters of War, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada, September 27, 2001-March 17, 2002.
Recording War: Images of Violence, 1500-1900, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 20-August 20, 2023.
The Four Faces of War: Callot, Goya, Kollwitz and Bellows, The William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, October 23-December 22, 2004.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.84, no. 44.
Goldfarb, Hilliard T., Wolf, Reva. "Fatal Consequences: Callot, Goya, and the Horrors of War." Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, page 84.
Provenance
Kennedy Galleries, Inc., New York, 1975; Christie's, New York, November 2, 1983, lot 18 (bought in); sold to Adolph Weil, Jr., Montgomery, Alabama, privately after the sale; given to present collection, 1991.
Catalogue Raisonne
Lieure 1348
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