Si resucitara? (If she revives?)
Francisco Jose de Goya y Lucientes, Spanish, 1746 - 1828
1810-1820
Etching, aquatint, scraping and burnishing on paper
First edition, made prior to all corrections
Plate: 6 13/16 × 8 9/16 in. (17.3 × 21.8 cm)
Sheet: 9 9/16 × 12 13/16 in. (24.3 × 32.5 cm)
Hood Museum of Art, Dartmouth: Gift of Adolph Weil Jr., Class of 1935
PR.991.50.1.80
Portfolio / Series Title
Number 80 of 80 from Los Desastres de la Guerra (The Disasters of War)
Publisher
Royal Academy of Fine Arts of San Fernando, Madrid, Spain
Geography
Place Made: Spain, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower center: Si resucitara?; inscribed, in plate, upper left: 80; inscribed, in graphite, upper right: 80 Watermark: HGO/Palmette
Label
The last few plates in Goya’s extended representations of war point to the post-conflict future. These final works take on mystical dimensions, capturing complex feelings in allegorical imagery, as opposed to the seemingly documentary prints of the beginning the series. Number 69 features a skeletal figure, its hand grasping a sign reading “Nothing.” The darkness of the image suggests the bleak finality of war. Number 80 offers a somewhat counter image: against a darkened background, a woman lies on the ground, rays of light emanating from her head. In the shadows, figures—some human, some animal—peer at her, while one figure in the foreground raises a club in one hand. In this etching, the woman may represent truth. Whether she will rise again, however, remains unanswered.
From the 2023 exhibition Recording War: Images of Violence 1500 – 1900, curated by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
SPAN 31, Introduction to Hispanic Studies II: 18th and 19th Centuries, Jose del Pino, Winter 2014
SPAN 31, Introduction to Hispanic Studies II: 18th and 19th Centuries, Txetxu Aguado, Winter 2014
SPAN 65.12, Reading Spain with Goya, Sara Munoz, Fall 2022
Spanish 31.01, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2023
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke 1, Summer 2023
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Josh Dannin, Summer 2023
Spanish 31.01, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2024
Spanish 31.02, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2024
Facilitated Experience: Special Tour - From Goya to Photojournalism, Summer 2023
Spanish 31.01, Introduction to Spanish Literature II, Sebastian Diaz, Summer 2024
Spanish 31.01, Introduction to Spanish Literature II, Sebastian Diaz, Summer 2024
Exhibition History
Recording War: Images of Violence, 1500-1900, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 20-August 20, 2023.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.101-102, no. 181.
Provenance
Date unknown, in the collection of Felix Somary (1881-1956), Vienna and Zurich; sold Sotheby's, New York, May 3, 1978, lot 2; purchased by Adolph Weil, Jr., Montgomery, Alabama; 1991 given to Dartmouth College by Adolph Weil, Jr., Class of 1935.
Catalogue Raisonne
Delteil 199; Harris 200
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