Las resultas. (The consequences.)
Francisco Jose de Goya y Lucientes, Spanish, 1746 - 1828
1810-1820
Etching on paper
First edition, made prior to all corrections
Plate: 6 7/8 × 8 9/16 in. (17.4 × 21.8 cm)
Sheet: 9 11/16 × 12 11/16 in. (24.6 × 32.3 cm)
Hood Museum of Art, Dartmouth: Gift of Adolph Weil Jr., Class of 1935
PR.991.50.1.72
Portfolio / Series Title
Number 72 of 80 from Los Desastres de la Guerra (The Disasters of War)
Publisher
Royal Academy of Fine Arts of San Fernando, Madrid, Spain
Geography
Place Made: Spain, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower center: Las resultas.; inscribed, in plate, upper left: 72; inscribed, in graphite, upper right: 72 Watermark: HGO/Palmette
Label
The last few plates in Goya’s series consider the aftermath of fighting. More allegorical than the early parts of the series, these images bring in ghoulish monsters that evoke the unspeakable horrors of war. In Plate 72, a bird-like creature with bat wings feasts on the corpse of a dead man; the fluttering of similar creatures behind suggests an ominous flock ready to revel in the results of war. Plate 79 points to a similarly bleak future. On the ground, a partially clothed woman appears to be dead, surrounded by a group of onlookers. Rays of light emit from her crumpled form. While one woman covers her face, the remaining group seems threatening. Goya’s caption, written in the past tense, proclaims: Truth has died. Do the beams of light around the woman’s body, representing Truth itself, suggest that hope is still possible?
From the 2023 exhibition Recording War: Images of Violence 1500 – 1900, curated by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
Spanish 31.01, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2023
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke 1, Summer 2023
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Josh Dannin, Summer 2023
Spanish 31.01, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2024
Spanish 31.02, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2024
Facilitated Experience: Special Tour - From Goya to Photojournalism, Summer 2023
Spanish 31.01, Introduction to Spanish Literature II, Sebastian Diaz, Summer 2024
Spanish 31.01, Introduction to Spanish Literature II, Sebastian Diaz, Summer 2024
Exhibition History
Fatal Consequences: Callot, Goya, and the Horrors of War, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 8-December 9, 1990.
Recording War: Images of Violence, 1500-1900, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 23-December 9, 2023.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.101, no. 173.
Hilliard T. Goldfarb and Reva Wolf, Fatal Consequences: Callot, Goya, and the Horrors of War, Hanover, New Hampshire: Trustees of Dartmouth College, 1990.
Provenance
Date unknown, in the collection of Felix Somary (1881-1956), Vienna and Zurich; sold Sotheby's, New York, May 3, 1978, lot 2; purchased by Adolph Weil, Jr., Montgomery, Alabama; 1991 given to Dartmouth College by Adolph Weil, Jr., Class of 1935.
Catalogue Raisonne
Delteil 191; Harris 192
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