Que hai que hacer mas? (What more must be done?)
Francisco Jose de Goya y Lucientes, Spanish, 1746 - 1828
1810-1820
Etching, aquatint and drypoint on paper
First edition, made prior to all corrections
Plate: 6 1/8 × 8 1/8 in. (15.5 × 20.6 cm)
Sheet: 9 9/16 × 12 3/4 in. (24.3 × 32.4 cm)
Hood Museum of Art, Dartmouth: Gift of Adolph Weil Jr., Class of 1935
PR.991.50.1.33
Portfolio / Series Title
Number 33 of 80 from Los Desastres de la Guerra (The Disasters of War)
Publisher
Royal Academy of Fine Arts of San Fernando, Madrid, Spain
Geography
Place Made: Spain, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower center : Que hai que hacer mas?; incsribed, in plate, upper left: 33; inscribed, in graphite, upper right: 33 Watermark: HGO/Palmette
Label
Goya’s Disasters of Wars series chronicles the reality and effects of the French invasion of Spain under Napoleon Bonaparte at the beginning of the nineteenth century. Numbered and captioned, the prints can be read together or individually as records of the atrocities committed against civilians. In this selection of six works, Goya presents the bodily horrors inflicted upon people on both sides of the conflict. Sawn in half, cut in pieces, dragged through the dirt, strung from trees, and thrown into piles, men and women are subject to immense torture. Goya’s sometimes ironic, sometimes descriptive captions comment on the scenes, speaking at once to the sense of resignation and horror at the ongoing war.
From the 2023 exhibition Recording War: Images of Violence 1500 – 1900, curated by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
FILM 47, From The Fall of the Wall to 9-11: Understanding the New World Disorder, Mark Williams, James Nachtwey, Spring 2013
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection , Virginia Beahan, Winter 2015
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke 1, Summer 2023
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Josh Dannin, Summer 2023
Facilitated Experience: Special Tour - From Goya to Photojournalism, Summer 2023
Exhibition History
Alfredo Jaar, The Eyes of Gutete Emerita, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 8-September 3, 2006.
Fatal Consequences: Callot, Goya, and the Horrors of War, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 8-December 9, 1990.
Recording War: Images of Violence, 1500-1900, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 23-December 9, 2023.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.98, no. 134.
Hilliard T. Goldfarb and Reva Wolf, Fatal Consequences: Callot, Goya, and the Horrors of War, Hanover, New Hampshire: Trustees of Dartmouth College, 1990, p. 66, ill. XIV.
Katherine W. Hart, Alfredo Jaar, The Eyes of Gutete Emerita [brochure], Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2006, ill. p. 3.
Provenance
Date unknown, in the collection of Felix Somary (1881-1956), Vienna and Zurich; sold Sotheby's, New York, May 3, 1978, lot 2; purchased by Adolph Weil, Jr., Montgomery, Alabama; 1991 given to Dartmouth College by Adolph Weil, Jr., Class of 1935.
Catalogue Raisonne
Delteil 152; Harris 153
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