Con razon 'o sin ella. (Rightly or wrongly.; With or without reasons.)
Francisco Jose de Goya y Lucientes, Spanish, 1746 - 1828
1810-1820
Etching, aquatint and lavis on paper
First edition, made prior to all corrections
Plate: 6 × 8 1/8 in. (15.2 × 20.6 cm)
Sheet: 9 11/16 × 12 15/16 in. (24.6 × 32.8 cm)
Hood Museum of Art, Dartmouth: Gift of Adolph Weil Jr., Class of 1935
PR.991.50.1.2
Portfolio / Series Title
Number 2 of 80 from Los Desastres de la Guerra (The Disasters of War)
Publisher
Royal Academy of Fine Arts of San Fernando, Madrid, Spain
Geography
Place Made: Spain, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower center: Con razon 'o sin ella.; inscribed, in plate, upper left: 2; inscribed, in graphite, upper right: 2 Watermark: HGO/Palmette
Label
The explicit violence of Goya’s series of prints makes them both memorable and difficult to examine. The first half of the series chronicles the various tortures and punishments enacted on both sides of the conflict, as evidenced in the selection presented here. Bodies are disfigured, displayed, and dumped throughout the prints. In Plate 32, French soldiers tie a rope around a man’s neck, attaching him to a tree. They pull on his body as he cries out in extreme agony communicated by his open scream. Meanwhile, the soldiers remain expressionless at his plight. As in many of his works, Goya’s simple and sometimes sardonic captions suggest that such horror is beyond verbal expression. He asks only: Why?
From the 2023 exhibition Recording War: Images of Violence 1500 – 1900, curated by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
FILM 47, From The Fall of the Wall to 9-11: Understanding the New World Disorder, Mark Williams, James Nachtwey, Spring 2013
ARTH 49, European Art in the Age of Revolution (1750-1850), Katie Hornstein, Fall 2013
SPAN 31, Introduction to Hispanic Studies II: 18th and 19th Centuries, Jose del Pino, Winter 2014
SPAN 31, Introduction to Hispanic Studies II: 18th and 19th Centuries, Txetxu Aguado, Winter 2014
ARTH 41.03, European Art 1750-1850, Allan Doyle, Winter 2019
SPAN 65.12, Reading Spain with Goya, Sara Munoz, Fall 2022
Spanish 31.01, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2023
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke 1, Summer 2023
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Josh Dannin, Summer 2023
Spanish 31.01, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2024
Spanish 31.02, Introduction to Hispanic Literature II, Sebastian Diaz, Winter 2024
Facilitated Experience: Special Tour - From Goya to Photojournalism, Summer 2023
Spanish 31.01, Introduction to Spanish Literature II, Sebastian Diaz, Summer 2024
Spanish 31.01, Introduction to Spanish Literature II, Sebastian Diaz, Summer 2024
Exhibition History
A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.
Fatal Consequences: Callot, Goya, and the Horrors of War, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 8-December 9, 1990.
Recording War: Images of Violence, 1500-1900, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 20-August 20, 2023.
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.95, no. 103.
Hilliard T. Goldfarb and Reva Wolf, Fatal Consequences: Callot, Goya, and the Horrors of War, Hanover, New Hampshire: Trustees of Dartmouth College, 1990.
Provenance
Date unknown, in the collection of Felix Somary (1881-1956), Vienna and Zurich; sold Sotheby's, New York, May 3, 1978, lot 2; purchased by Adolph Weil, Jr., Montgomery, Alabama; 1991 given to Dartmouth College by Adolph Weil, Jr., Class of 1935.
Catalogue Raisonne
Delteil 121; Harris 122
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