2740475 (portfolio)

Inscriptions

Printed, in white ink, on top: 2740475; printed, in white ink, on spine: JONATHAN BOROFKSY 2740475; Title page: printed, in black ink: JONATHAN/ BOROFSKY/ 2740475 (reversed)/ PETER/ BLUM/ EDITION; printed, on label, secured to bottom of box: This portfolio by Jonathon Borofsky entitled/ "2740475" contains six dry point etchings/ and seven silkscreen prints./ The edition consists of fifty copies, each/ signed and numbered 1 to 50 and an/ additional ten copies numbered from I to X,/ reserved for the artist, the printer, and the/ publisher./ The etchings were printed on Velin d'Arches/ by Robert Aull and Leslie Sutcliffe at/ Los Angelos, California. The silkscreens/ were printed by H.M. Buchi at Basel./ The box was made by Jorg Oberlin at Basel,/ Switzerland./ Published by Peter Blum Edition, New York. April 1982

Exhibition History

SUBJECT(S) Prints and Multiples by Jonathan Borofsky, 1982-1991, Hood Museum of Art, Dartmouth College, Hanover, New Hamsphire, December 28, 1991-March 15, 1992; High Museum of Art, Atlanta Georgia, April 27-June 19, 1992; J.B. Speed Museum of Art, Louisville, Kentucky, July 19-September 13, 1992; Bayly Art Museum, University of Virginia, Charlottesville, Virginia, October 8-November 29, 1992; University of Arizona Museum of Art, Tucson, Arizona, December 18, 1992-February 21, 1993; The Mitchell Gallery, St. John's College, Annapolis, Maryland, March 21-April 28, 1993; The Hudson River Museum, Yonkers, New York, June 25-September 12, 1993; Mackenzie Art Gallery, Regina, Saskatchewan, Canada, October 20, 1993-January 2, 1994; Center for the Fine Arts, Miami, Florida, February 12-April 11, 1994; Long Beach Museum of Art, Long Beach, California, May 8-July 3, 1994; Archer M. Huntington Art Gallery, University of Texas, Austin, Texas, August 19-October 16, 1994, no. 7.

Publication History

James Cuno, "SUBJECT(S) Prints and Multiples by Jonathan Borofsky, 1982-1991", Hanover, New Hampshire: Hood Museum of Art, 1992, pp.42-45.

Provenance

Blumarts Inc., New York, New York; sold to present collection, 1989.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subject