Convoi Funèbre au Boulevard de Clichy (Funeral Procession on the Boulevard de Clichy)
Félix Hilaire Buhot, French, 1847 - 1898
1887
Etching, lift ground, roulette, drypoint, photo mechanical reproduction, stop-out, and engraving on paper
Plate: 11 3/4 in. (29.9 cm)
Sheet: 20 9/16 in. (52.2 cm)
Sheet: 15 3/4 × 14 7/16 in. (40 × 36.6 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from the Cremer Foundation in memory of J. Theodor Cremer
PR.988.53
Geography
Place Made: France, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Signed, in plate, lower left: Insouciant flaneur ennemi des Chloroses/Ce Croquemort defunt trouvait plaisant de voir/Sur des ciels Parisiens aux tons bleus gris ou roses/Deux ou trois corbillards se detacher en noir./Felix Buhot, 1887. Inscribed by the artist, in black crayon, lower right margin: Deuxieme Etat (8 epreuve, a mon ami Henri Chabeuf pour quand nous manquerons d'entretiens! Felix Buhot
Exhibition History
A Decade of Collecting, 1985-1995: Old Master and Nineteenth Century European Prints from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1995-February 4, 1996, no. 36.
Death and Dying: Selections from the Permanent Collection, Harrington Gallery Teaching Exhibition, Anthropology 55, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 11-March 26, 1995.
Manet and His Time, Harrington Gallery Teaching Exhibition, ArtH 87, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 29-July 9, 1994.
The Voice of the Print, Visual Studies Department Installation, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 1, 1989-January 1, 1990.
Publication History
Richard Rand, "A Decade of Collecting, 1985-1995: Old Master and Nineteenth-Century European Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1995, p. 3, ill. p. 4, fig 7, listed p. 6, no. 36.
Provenance
Carolyn Bullard Fine Prints and Drawings, Dallas, Texas; sold to present collection, 1988.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu