Angste (Anxieties)
Max Klinger, German, 1857 - 1920
1880; published 1898 (4th edition)
Etching and aquatint on cream wove paper
fourth
Impression: 5 9/16 × 10 5/8 in. (14.2 × 27 cm)
Sheet: 17 5/16 × 26 in. (44 × 66 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from the Cremer Foundation in memory of J. Theodor Cremer and the Hood Museum of Art Acquisitions Fund
PR.984.52.7
Portfolio / Series Title
Number 7 of 10 from Ein Handschuh (A Glove)
Printer
Wilhelm Felsing, Berlin
Geography
Place Made: Germany, Europe
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Signed, lower right, in plate: MAX KLINGER; upper right, in plate: VII.
Course History
ANTH 7, The Values of Medicine, Sienna Craig, Winter 2013
WRIT 5, American Gothic, Wendy Piper, Fall 2013
WRIT 5, American Gothic, Wendy Piper, Fall 2013
WRIT 5, American Gothic, Wendy Piper, Winter 2014
THEA 17, 19th and 20th century Performance, Laura Edmondson, Spring 2014
WGST 51.8, The Femme Fatale in Literature, Film, and Myth, Paul Carranza, Spring 2014
COLT 7.13, “You Must Be Dreaming”: Dreams in Literature and Film, Paul Carranza, Spring 2015
German Club, Winter 2019
ARTH 89.05, Art History: Theory and Method, Elizabeth Kassler-Taub, Fall 2019
GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2020
GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2020
GERM 003, Intermediate German, Lisa Oberberger, Fall 2020
GERM 003, Intermediate German, Lisa Oberberger, Fall 2020
GERM 03, Intermediate German, Lisa Oberberger, Winter 2021
GERM 03, Intermediate German, Lisa Oberberger, Spring 2021
GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2021
Exhibition History
A Space for Dialogue 60, Hand-In-Glove: Representations of the Glove as Fetish Object, Thisbe Gensler, Class of 2010, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 14-October 31, 2010.
A Space for Dialogue 87, The Tortured Soul: Exploring the Excesses of Human Emotion, Laura Dorn, Class of 2015, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 11-May 24, 2015.
Temptation and Denial: Symbolist Prints by Redon and Klinger, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 3-September 19, 1999.
Publication History
Thisbe Gensler, A Space for Dialogue 60, Hand-In-Glove: Representations of the Glove as Fetish Object, Thisbe Gensler, Class of 2010, Curatorial Intern, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2010, p. 1.
Provenance
Catherine E. Burns, Berkeley, California [dealer]; sold to present collection, 1984.
Catalogue Raisonne
H.W. Singer, Max Klinger, Etchings, Engravings and Lithographs, 1878-1903, San Francisco, 1991, p. 204, no. 119.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu