Nocturne, from The First Venice Set
James Abbott McNeill Whistler, American, 1834 - 1903
1879-1880
Etching and drypoint on laid paper
Plate: 7 15/16 × 11 9/16 in. (20.1 × 29.3 cm)
Sheet: 8 3/16 × 11 9/16 in. (20.8 × 29.3 cm)
Hood Museum of Art, Dartmouth: Gift in memory of Mrs. Harvey Fisk by her children
PR.974.387
Geography
Place Made: United States, North America
Period
19th century
Object Name
Research Area
Not on view
Inscriptions
Signed, in plate, lower left: butterfly device; inscribed, in graphite, on reverse: A12472
Course History
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
Writing 7.2, Writers on Writing, Wendy Piper, Spring 2014
WRIT 7.2, Writers on Writing, Wendy Piper, Spring 2015
SART 27/28/74, Printmaking I/II/III, Jennifer Caine, Winter 2022
Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Jen Caine, Winter 2023
Studio Art 27.01, Studio Art 28.01, Studio Art 74.01, Printmaking I, II, III, Jen Caine, Winter 2024
Exhibition History
19th Century Prints from the Permanent Collection, Art 52, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 12-March 25, 1979.
American Works on Paper to 1950: Highlights from the Hood Museum of Art, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 22-December 9, 2007.
James McNeill Whistler: Works from the Dartmouth Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 9-March 13, 1988.
Light in Art, Jaffe-Friede, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 2, 1977-January 29, 1978.
Night Visions: Nocturnes in American Art, Bowdoin College Museum of Art, Brunswick, Maine, June 25-October 18, 2015.
Nineteenth Century American Prints, Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, March 25-June 12, 1977.
Prints from the Hood Museum Collection, part of the inaugural exhibition, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 1, 1985-January 12, 1986.
The Image Impressed, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, January 25-July 31, 1985.
Treasures from the Print Collection, Beaumont-May Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, July 3-August 17, 1980.
Whistler, Venice, and the American Etching Revival [American Works of Paper wall], Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 12, 2008-January 4, 2010.
Publication History
Barbara J. MacAdam, American Art at Dartmouth: Highlights from the Hood Muesum of Art, Hanover: Trustees of Dartmouth College, 2007, p. 157, no. 127.
Joachim Homann, Night Vision: Nocturnes in American Art, 1860-1960, Munich, London, New York: Delmonico Books / Prestel, 2016, 176 pp., ill. p. 60.
Provenance
Elizabeth Richmond Fisk (1885-1966) [Mrs. Harvey Edward Fisk], Woodstock, Vermont; to her children, Elizabeth Fisk Tyler (1912-1978), Margaretta Fisk Paine (1915-1952); Ursula Fisk Clough (1917-1989), and Anne Fisk Howe (1921-2001), 1966; given to present collection, 1974.
Catalogue Raisonne
E. Kennedy, The Etched Work of Whistler, San Francisco, 1978, no. 184. H. Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler, Chicago, 1909, no. 181.
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