Constellations, Chiffres et constellations amoureux d'une femme (Ciphers and Constellations in Love with a Woman), Plate XIX
Joan Miró, Spanish, 1893 - 1983
1959
Pochoir reproduction in color (after the original gouache)
163/350
Overall: 18 1/2 × 15 in. (47 × 38.1 cm)
Hood Museum of Art, Dartmouth: Gift of Edna K. Warner in memory of her husband Keith Warner
PR.960.91.19
Printer
Atelier de Daniel Jacomet, Paris
Publisher
Pierre Matisse, New York
Geography
Place Made: Spain, Europe
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Portfolio page signed, in blue ink, lower left: Miro; same page signed, in red ink, lower right: Andre Breton. Lithograph signed, in graphite, lower right: Miro. (underscored); inscribed, in graphite, lower left: 163/350
Course History
Spanish 9.04, Culture and Conversation, Roberto Rey Agudo, Winter 2024
Exhibition History
A Space for Dialogue 45, Discovering Identity Through Art, Joan Miro and Dorothea Tanning's Surrealist Explorations of the Unconscious, Melissa Fan, Class of 2008, Main Lobby, Levinson Student Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 16-August 3, 2008.
Shadows and Hallucinations: Surrealist Art from the Permanent Collection, Harrington Gallery Teaching Exhibition, MALS308, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 24-September 5, 1999.
Three Print Portfolio, Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, February 14-March 6, 1977.
Two prints from the portfolio, Women by the Shore of a Lake Made Iridescent by a Passing Swan and The Passage of the Divine Bird were exhibited in: Surrealist Works from the Permanent Collection, Harrington Gallery Teaching Exhibition, MALS, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 20-September 1, 2002.
Publication History
Melissa Fan, Class of 2008, Levinson Student Intern, A Space for Dialogue 45, Discovering Identity Through Art, Joan Miro and Dorothea Tanning's Surrealist Explorations of the Unconscious, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2008, ill. p. 1.
Provenance
Keith Warner (1895-1959); to his wife Edna K. Warner (1911-2015); given to present collection, 1960.
Catalogue Raisonne
Joan Miro: Lithographs, 1975, vol. II, no. 261
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