Fox
Georges Braque, French, 1882 - 1963
1911, published 1912
Drypoint on light weight, cream laid paper
Edition 94/100
Plate: 21 1/2 × 15 in. (54.6 × 38.1 cm)
Sheet: 25 13/16 × 19 15/16 in. (65.5 × 50.6 cm)
Hood Museum of Art, Dartmouth: Purchased through the Florence and Lansing Porter Moore 1937 Fund
PR.2004.53
Printer
Eugene Delâtre, Paris
Publisher
Daniel-Henry Kahnweiler, Paris
Geography
Place Made: France, Europe
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Signed, in graphite, lower right: G Braques; inscribed, in graphite, lower left: No94
Course History
SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013
ENGL 53, Twentieth Century British Fiction: 1900 to WWII, Brenda Silver, Spring 2013
SART 15, Drawing I, Gerald Auten, Spring 2012
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
THEA 90, Contemporary Practices in U.S. Theater, Laurie Cherba Kohn, Fall 2013
WRIT 5, The Waste Land, Before and After, Melissa Zeiger, Fall 2013
Studio Art 15.02, Drawing I, Daniele Genadry, Summer 2023
Exhibition History
Cubism and Its Legacy, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.
European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 15-May 27, 2005.
The Expanding Grid, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 7-August 27, 2012.
Publication History
T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.195, ill., no. 122.
Provenance
Charles M. Young Fine Prints and Drawings, LLC, Portland, Connecticut; sold to present collection, 2004.
Catalogue Raisonne
Vallier 6
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu