Not Manet's Type

Inscriptions

Text, printed, lower center: "IT WAS CLEAR, / I WAS NOT MANET'S TYPE / PICASSO -- WHO HAD A WAY / WITH WOMEN -- ONLY USED ME / & DUCHAMP NEVER EVEN CONSIDERED ME"; signed, in graphite, lower right: Carrie M Weems. 2001; numbered, in graphite, lower left: 28/40| Embossed, lower right: [Publisher's chop, bird in circle]

Course History

SOCY 7.2, Race and Ethnicity, Emily Walton, Spring 2014

SOCY 7.1, Race and Ethnicity, Emily Walton, Winter 2015

AAAS 67.5, GEOG 21.01, Black Consciousness and Black Feminisms, Abigail Neely, Winter 2019

AAAS 88.19, Contemporary African-American Artists, Michael Chaney, Summer 2021

GEOG 72.01/AAAS 67.50/WGSS 66.09, Black Consciousness Black Feminism, Abby Neely, Spring 2022

ANTH 50.21/AAAS 88.17, Filmmaking & Visual Culture, Jesse Shipley, Summer 2022

African and African-American Studies 81.08, Women's, Gender, and Sexuality Studies 66.23, Black Women's Creative Archive, Kianna Middleton, Spring 2023

Writing 7.38, Culture of Self-Loathing, Min Young Godley, Spring 2024

Exhibition History

A Space for Dialogue 7, Laura Tepper and Katherine Grayson, Class of 2002, Senior Interns, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 27-October 18, 2002.

A Space for Dialogue 88, Still We Rise, Women of Color Existence / Resistance in Contemporary Art, Taylor Payer, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 30 -July 12, 2015.

Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.

Loew Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 18-March 9, 2003.

Making Connections at the Hood Museum of Art, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 20-April 14, 2009.

No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, in conjunction with the Humanities Institute, Leslie Center for the Humanities, Dartmouth College, Hanover, New Hampshire, October 6-December 9, 2007.

Reality and its Alternatives, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 4-March 13, 2005.

Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/

Publication History

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 247, figure 7.1.

Taylor Payer, A Space for Diagolgue 88, Still We Rise, Women of Color Esistence / Resistance in Contemporary Art, Hanover, New Hampshire: Trustees of Dartmouth College, 2015, checklist no. 3.

Provenance

Charles M. Young, Fine Prints & Drawings, Glastonbury, Connecticut; sold to present collection, 2002.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

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