Tulip Blossom
Ann Parker, American (born England), born 1934
1995
Photogram on Ilfochrome paper
4/10
Sheet: 20 × 16 in. (50.8 × 40.6 cm)
Hood Museum of Art, Dartmouth: Gift of the artist
PH.999.45.1
Geography
Place Made: United States, North America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Inscriptions
Signed, on mat, in graphite, lower right: Ann PARKER; inscribed, on mat, in graphite, lower left: Tulip Blossom (state 1), April 25, 1995 .4/10.; signed and inscribed, on reverse, in graphite, lower center: Tulip Blossom, State 1 / April 25, 1995 / Edition of 10. 4/10 / Ann PARKER
Label
Closely observed and presented in total isolation, this photogram echoes longstanding naturalist art traditions. Yet its grand scale and unconventional translucency give it an ethereal quality that evokes mystery, perhaps even suggesting transformation into another state. This effect likely inspired Ann Parker to refer to her floral photograms as Botanical Metamorphics. To produce these delicate images, she placed the blossoms on a polyester-coated photosensitive paper used for color photography. When exposed to light, the sheet remained white and partially visible through the thin petals.
Does the scale of this blossom affect your response to this image? If so, how?
From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art
Course History
ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022
GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022
ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022
ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022
ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022
ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022
ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022
SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022
Exhibition History
This Land: American Engagement with the Natural World, Israel Sack Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 5–April 11, 2022.
Provenance
The artist, North Brookfield, Massachusetts; sold to present collection, 1999.
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