Untitled (Make-up with Daughter), from the Kitchen Table Series

Course History

SART 29, Photography I, Virginia Beahan, Spring 2012

SART 29, Photography I, Virginia Beahan, Summer 2013

WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013

WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013

WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013

NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013

ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013

NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013

SART 30, Photography II, Fall 2013

SART 29, Photography I, Fall 2013

WRIT 5, Memoirs of Family, Ellen Rockmore, Winter 2014

SART 29, Photography I, Virginia Beahan, Winter 2014

WGST 96, Times of Crisis, Annabelle Martin, Spring 2014

SART 29, Photography I, Virginia Beahan, Summer 2014

SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection , Virginia Beahan, Winter 2015

SART 29, Photography I, Christina Seely, Winter 2015

SART 29, Photography 1, Virginia Beahan, Winter 2019

AAAS 67.5, GEOG 21.01, Black Consciousness and Black Feminisms, Abigail Neely, Winter 2019

SART 29, Photography I, Virginia Beahan, Summer 2019

PORT 8, Brazilian Portraits, Carlos Minchillo, Winter 2020

SART 29/SART 75, Photography 1/Photography 3, Virginia Beahan, Winter 2020

AAAS 88.19, Contemporary African-American Artists, Michael Chaney, Summer 2021

First Year Student Enrichment Program, Doug Moody, Summer 2021

GEOG 72.01/AAAS 67.50/WGSS 66.09, Black Consciousness Black Feminism, Abby Neely, Spring 2022

ANTH 50.21/AAAS 88.17, Filmmaking & Visual Culture, Jesse Shipley, Summer 2022

First Year Student Enrichment Program - Culture, Identity, and Belongings, Doug Moody, Summer 2023

African and African American Studies 7.01, Picturing African American History, Michael Chaney, Spring 2024

First Year Student Enrichment Program, Doug Moody, Summer 2024

Exhibition History

A Space For Dialogue 9, Consuming Life: On the Ideals of Beauty and Assuming Identity in a Culture of Fear, Paula Bigboy, Class of 2003, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 14, 2002-January 12, 2003.

Carrie Mae Weems, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 19-April 24, 1994.

Focus on Photography, Works from 1950 to Today, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 13-March 8, 2009.

Loew Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 1-March 9, 2003; exhibitied in conjunction with the exhibition Carrie Mae Weems: The Hampton Project, January 18-March 9, 2003.

Recent Acquisitions: Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 24-April 12, 1998.

Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, New York, January 15-April 3, 2011; Nasher Museum of Art, Duke University, Durham, North Carolina, August 25-December 5, 2011; Contemporary Arts Museum, Houston, Texas, February 11-April 29, 2012.

The Familial Gaze, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 4-July 21, 1996.

Publication History

Paula Bigboy, A Space for Dialogue 9, Consuming Life: On the Ideals of Beauty and Assuming Identity in a Culture of Fear, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2002, ill. p. 1.

Emily Shubert Burke, Focus on Photography, Works for 1950 to Today, Hanover, New Hampshire: Trustees of Dartmouth College, 2009, p. 17, no. 35.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.203, no.253.

Nancy Princenthal, The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991, Purchase, New York: Neuberger Museum of Art, 2011, ill. p. 160

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 187, ill. plate no. 118.

Provenance

P.P.O.W., New York, New York; sold to present collection, 1991.

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