Romance of Ambrose Bierce #3, number 4, from "Portfolio Three"
Ralph Eugene Meatyard, American, 1925 - 1972
1964
Gelatin silver print
Edition of 20
Overall: 6 3/4 × 6 7/8 in. (17.1 × 17.5 cm)
Hood Museum of Art, Dartmouth: Purchased through the Harry Shafer Fisher 1966 Memorial Fund
PH.974.131.4
Geography
Place Made: United States, North America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Course History
ARTH 17, History of Photography, Katie Hornstein, Spring 2013
WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013
WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013
WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
SART 30, Photography II, Fall 2013
SART 29, Photography I, Fall 2013
WRIT 5, Memoirs of Family, Ellen Rockmore, Winter 2014
SART 29, Photography I, Virginia Beahan, Winter 2014
SART 29, Photography I, Christina Seely, Winter 2015
Exhibition History
American Photography: 1850-1980, Barrows and Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, March 26-May 20,1982.
Photographs from the College Collection: Selected Acquisitions 1974-1978, Barrows Gallery, Hopkins Center Art Galleries, Dartmouth College,Hanover, New Hampshire, April 21-May 21, 1978.
Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.
Publication History
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.198, no.231.
Provenance
Center for Photographic Studies, Barre, Vermont; sold to present collection, 1974.
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