Still Life of Fruit (Musk Melon, Grapes, Italian Plums, Blueberries, Peach, and Pear)

attributed to James Henry Cafferty, American, 1819 - 1869

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about 1865

Oil on academy board

Overall: 12 3/4 × 16 5/8 in. (32.4 × 42.2 cm)

Frame: 15 1/16 × 18 3/4 in. (38.2 × 47.6 cm)

Hood Museum of Art, Dartmouth: Gift of Frank P. Stetz in memory of David Stewart Hull, Class of 1960

P.2004.83.10

Geography

Place Made: United States, North America

Period

19th century

Object Name

Painting

Research Area

Painting

On view

Inscriptions

Signed, in black pigment, lower left [signature may not be authentic]: J. H. CAFFERTY

Label

The painting above is thought to be an allegory of life, with the grapes representing youth and the raisins signifying old age. Within this exhibition, these fruits also speak to the importance of water in cultivation. Abundant juices contained within the ripe grapes, melons, plums, peaches, and pears juxtapose with water’s absence in the withering raisins.

In the painting below, round cherries on branches encircle a toppled basket of plump raspberries. Just picked from the garden, these delectable fruits suggest a year of bountiful rains. Stacked baskets inform us that there are many more left to harvest, perhaps to be baked into a sweet desert or processed into a jam.

Reliable access to clean water was essential togrowing the fruits portrayed in these paintings and remains important to ensuring the security of our food supply today.

From the 2023 exhibition Liquidity: Art, Commodities, and Water, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Art History 40.01, American Art and Identity, Mary Coffey, Fall 2023

Creative Writing 10.02, Writing and Reading Fiction, Katherine Crouch, Fall 2023

Geography 11.01, Qualitative Methods, Emma Colven, Fall 2023

Geography 2.01, Introduction to Human Geography, Coleen Fox, Fall 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

English 30.01, African and African American Studies 34.01, Early Black American LIterature, Michael Chaney, Winter 2024

Writing 5.06, Image and Text, Becky Clark, Winter 2024

Writing 5.07, Image and Text, Becky Clark, Winter 2024

Exhibition History

James Henry Cafferty, N.A.(1819-1869), New-York Historical Society, New York, May 22-August 24, 1986, no.25.

Liquidity: Art, Commodities, and Water, Israel Sack Gallery and the Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 29, 2023-November 24, 2024.

Publication History

David Stewart Hull, James Henry Cafferty, N.A.(1819-1869), New-York Historical Society, New York, 1986, p.40.

Provenance

Marsden Hartley (1877–1943), until 1943; Estate of Marsden Hartley, No. 525, at Babcock Gallery, New York, New York.; sold to David Stuart Hull, New York, New York, 1983; bequeathed to Frank P. Stetz, New York, New York, 1998; given to present collection, 2004.

Catalogue Raisonne

Hull no.216 (page 54 in catalogue raisonné section of David Stewart Hull, James Henry Cafferty, N.A. (1818-1869), New-York Historical Society, New York, 1986).

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