Double Fuse

Inscriptions

Signed and dated, in ink, lower right: Wangechi Mutu c[circled] 2003

Course History

THEA 10.64/AAAS 54.05/WGSS 66.15, Feminist and Queer Africa on Stage and Screen, Laura Edmondson, Winter 2022

GEOG 72.01/AAAS 67.50/WGSS 66.09, Black Consciousness Black Feminism, Abby Neely, Spring 2022

THEA 21/WGSS 59.04, Race, Gender, Performance, Laura Edmondson, Spring 2022

HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022

HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022

HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022

Humanities 2.01, The Modern Labyrinth, Lucas Hollister, Petra McGillen, Andrea Tarnowski, Laura Edmondson, Winter 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Spring 2023

Theater 10.64, African and African-American Studies 54.05, Women's, Gender, and Sexuality Studies 66.15, Feminist and Queer Africa, Laura Edmondson, Spring 2023

Studio Art 77.01, Senior Seminar II, Karol Kawiaka, Spring 2023

Studio Art 77.02, Senior Seminar II, Jen Caine, Spring 2023

English 53.22, Science Fiction Studies, Aden Evans, Fall 2023

Writing 5.14, Metamorphosis and Otherness, Min Young Godley, Fall 2023

Writing 5.15, Metamorphosis and Otherness, Min Young Godley, Fall 2023

Latino Studies 7.01, Science Fictions of Color, Marcela Di Blasi, Winter 2024

Writing 5.16, Metamorphosis and Otherness, Min Young Godley, Winter 2024

Writing 5.17, Metamorphosis and Otherness, Min Young Godley, Winter 2024

Exhibition History

Art and / as Violence, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 12, 2006-March 11, 2007.

Black Womanhood: Images, Icons, and Ideologies of the African Body, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Deitch Projects, New York, New York, 2003.

Global Contemporary: A Focus on Africa, Churchill and Dorothy Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-April 14, 2019.

Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 16, 2003-April 28, 2004.

Undercover: Performing and Transforming Black Female Identities, Spelman College Museum of Fine Art, Atlanta, Georgia, September 10-December 5, 2009.

Wangechi Mutu, Musee D'Art Contemporain de Montreal, Quebec, Canada, February 2-April 22, 2012.

Publication History

Barbara Thompson, "The African Collection at the Hood Museum of Art," African Arts, Volume XXXVII, No. 2, Los Angeles: African Studies Center, University of California, 2004, ill. p. 32.

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 326, plate 108.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.148, no.122.

Josée Belisle, Wangechi Mutu, Montreal: Musée d'Art Contemporain de Montréal, 2012: ill. p. 43.

Provenance

Deitch Projects, New York, New York; sold to present collection, 2003.

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