Untitled

Thomas Nozkowski, American, 1944 - 2019

Share

1992

Graphite on paper

Sheet: 11 × 13 15/16 in. (27.9 × 35.4 cm)

Hood Museum of Art, Dartmouth: Gift of Sally and Wynn Kramarsky

© Thomas Nozkowski

D.998.49.2

Geography

Place Made: United States, North America

Period

20th century

Object Name

Drawing

Research Area

Drawing

Not on view

Inscriptions

Signed, on reverse, in graphite, thomas nozkowski; inscribed, on reverse, in graphite, UNTITLED / 1992 / PENCIL ON PAPER / THOMAS NOZKOWSKI / 70 HESTON STREET / NYC NY 10002 / (212) 966-5890; embossed, in sheet, at regular intervals: HAMMERMILL / PAPER [sideways, top to bottom, appears 6 times in drawing]

Course History

SART 15, Drawing I, Colleen Randall, Winter 2013

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

SART 20, SART 71, Drawing II, Drawing III, Jennifer Caine, Spring 2013

SART 15, Drawing I, Colleen Randall, Fall 2013

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2013

SART 20, SART 71, Drawing II/III, Colleen Randall, Fall 2014

SART 15, Drawing I, Colleen Randall, Spring 2015

SART 20/SART 71, Drawing II/Drawing III, Colleen Randall, Fall 2019

Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS, Winter 2023

Music 3.07, The Minimalist Impulse, Victoria Aschheim - OPEN HOURS 1, Winter 2023

Studio Art 25.01, Painting I, Enrico Riley, Winter 2023

Exhibition History

The Mark of Minimalism: Gifts of Works on Paper from Sarah-Ann and Werner Kramarsky, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-May 29, 2005.

Publication History

Amy Eshoo, Ed., with contributions by Derrick R. Cartwright, James Cuno, Elizabeth Finch, Josef Helfenstein, Glenn D. Lowry, David Mickenberg, Ann Philbin, Earl A. Powell III, Jock Reynolds, and Townsend Wolfe, 560 Broadway: A New York Drawing Collection at Work, 1991-2006, New Haven and London: Yale University Press, 2008, checklist, p. 159.

Provenance

Diane Brown Gallery; sold to Sally and Wynn Kramarsky, New York; given to present collection, 1998.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu