Diana Imploring Jupiter Not To Make Her Submit to Marry Hymen
Pierre-Paul Prud'hon, French, 1758 - 1823
about 1803
Black, white and red chalk on blue wove paper
Overall: 10 7/8 × 10 9/16 in. (27.6 × 26.9 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from the Cremer Foundation in memory of J. Theodor Cremer, the Phyllis and Bertram Geller 1937 Memorial Fund, the William B. Jaffe and Evelyn A. Jaffe Hall Fund, and the Hood Museum of Art Acquisitions Fund
D.985.52
Geography
Place Made: France, Europe
Period
19th century
Object Name
Drawing
Research Area
Drawing
Not on view
Inscriptions
Not signed.
Course History
CLST 04, Classical Mythology, Simone Oppen, Fall 2019
CLST 04, Classical Mythology, Simone Oppen - INDEPENDENT VIEWING, Fall 2019
CLST 04, Classical Mythology, Simone Oppen, Fall 2020
CLST 04, Classical Mythology, Simone Oppen, Fall 2020
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.
Drawings At Dartmouth, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 27-November 27, 1988.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-April 14, 2019.
Harrington Gallery Teaching Exhibition, Art 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 12-March 15, 1992.
Representations of the Body in Space from the Renaissance to the Present: Selections from the Permanent Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 3-March 15, 1998.
Representing Myth: The Classical Tradition in Western Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 11-August 17, 1995.
Rococo to Modernism: European Drawings and Watercolors from the Permanent Collection and Dartmouth's Alumni, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 30-May 30, 2004.
The French Neoclassic and Academic Tradition, 1800-1900, Shepherd Gallery, New York, in association with the Osuna Gallery, Washington, D.C. Winter 1985.
Publication History
Lawrence Turcic, New York French Drawings (Exhibition Reviews), London: The Burlington Magazine, Volume CXXVI, No. 977, August 1984, pp. 525-527, fig. 45.
The French Neoclassic and Academic Tradition, 1800-1900: Figurative and Compositional Paintings, Oil Sketches, and Works on Paper, New York: Shepherd Gallery, Winter 1984, ill. no. 3.
T. Barton Thurber, Twenty Years of Building a Collection: The Hood Museum of Art, Apollo (Vol. 162, no. 526), December 2005, London: Apollo Magazine, 2005, pp. 46-53, ill. p.53.
T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.171, ill., no. 104.
Provenance
Shepherd Gallery, New York, New York; sold to present collection, 1985.
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