Fragment of a Mosaic Floor Panel depicting a Fish, Peacock, Lamb, Bird and a Shrub
Unknown Roman
Unidentified Early Christian maker
Near East
about 5th-6th century
Marble tesserae
Overall: 64 1/2 × 36 1/4 in. (163.8 × 92.1 cm)
Hood Museum of Art, Dartmouth: Gift of Serena Ines Valli Martin-Trigona Beskind and D. Herbert Beskind, Class of 1936
MIS.974.353
Geography
Place Made: Homs, Eastern Mediterranean, Syria, West Asia, Asia
Period
500-1000
Object Name
Building Component
Research Area
Near East
On view
Label
The cluster of creatures—a fish, a peacock, a lamb, and a bird—in this small portion of a mosaic indicates the rich complexity of the original floor decoration. Mosaics, made of small pieces of stone and glass called tesserae, were popular throughout the Roman and Byzantine empires for their lustrous shine, durability, and cooling effect in hot climates.
This mosaic likely once adorned a building near Homs, Syria. For over two thousand years, this area has been an important site of agricultural production and trade, bringing together people from throughout the region as part of the Assyrian Empire, Roman Empire, Abbasid Caliphate, and Byzantine Empire, all before the tenth century. During the period in which the mosaic was produced, Christianity began to spread through the Roman Empire, though its imagery was often still tied to other religious and cultural traditions. While the fish, lamb, and peacock are all common Christian symbols, they are also significant in other contexts. Since this fragment was excavated and removed from its original site without thorough records, we may never know if these are Christian symbols, imperial allegories, or something else altogether.
From the 2024 exhibition Ancient Narratives: A New Look at Old Art, curated by Ashley B. Offill, Curator of Collections
Course History
CLST 12.03, ANTH 13.01, Who Owns the Past?, Julie Hruby and Jesse Casana, Winter 2020
SART 17.08, Digital Drawing, Karol Kawiaka, Fall 2020
COCO 26.01, What's in Your Toolbox?, Heidi Denzel and Mokhtar Bouba, Fall 2022
COCO 26.01, What's in Your Toolbox?, Heidi Denzel and Mokhtar Bouba, Fall 2022
Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke, Summer 2023
Italian 3.01, Introductory Italian III, Floriana Ciniglia, Winter 2024
Religion 4.01, Jewish Studies 4.01, Religion of Israel: Hebrew Bible, Susan Ackerman, Winter 2024
Studio Art 16.01, Sculpture I, Matt Siegle, Winter 2024
Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Spring 2024
Geography 21.01, International Studies 18.01, Global Health and Society, Anne Sosin, Spring 2024
Classical Studies 12.02, Greek and Roman Engineering and Technology, Margaretha Kramer, Spring 2024
Exhibition History
Ancient and Premodern Global Cultures, Gene Y. Kim Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019.
Global Cultures at the Hood: Ancient to Premodern, Gene Y. Kim Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26. 2019.
Publication History
Treasures of the Hood Museum of Art, Dartmouth College, New York: Hudson Hill Press, 1985, p. 39.
Provenance
Purchased in Beirut, Lebanon by Peter Marks Works of Art, New York, New York, for Serena Ines Valli Martin-Trigona Beskind (1924-2017) and D. Herbert Beskind (1915-2015), New York, New York, 1973; lent to present collection, 1973; given to present collection, 1974.
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