Cross
Unidentified African-Portuguese maker
19th century
Wood
Overall: 18 7/8 × 9 1/16 × 15/16 in. (48 × 23 × 2.4 cm)
Hood Museum of Art, Dartmouth: Purchased through the William B. Jaffe and Evelyn A. Jaffe Hall Fund
999.3.30470
Geography
Place Made: M'Banza-Kongo, Angola, Central Africa, Africa
Period
19th century
Object Name
Religious Object
Research Area
Africa
Not on view
Course History
HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013
ARTH 28.01, Global Renaissance, Elizabeth Kassler-Taub, Fall 2021
HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022
HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022
HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022
Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023
History 5.08, African and African American Studies 19.01, Africa and the World, Robby Zeinstra, Fall 2023
History 5.08, African and African American Studies 19.01, Africa and the World, Robby Zeinstra, Fall 2023
History 85.01, African and African American Studies 88.23, The Black Atlantic, Ernesto Mercado-Montero, Winter 2024
Religion 17.01, African and African American Studies 83.05, African Religions in the Americas, Eugenia Rainey, Spring 2024
Exhibition History
Works from the Continent of Africa, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-March 15, 2020.
Publication History
Cecile Fromont, The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo, Chapel Hill, North Carolina: The University of North Carolina Press, 283 pp., ill. p. 263.
Provenance
Susana Montiel de Colmenares, London, England; sold to present collection, 1999.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu