Hivyo Tété (DeAndre)

Darryl DeAngelo Terrell, American, born 1991

Share

See Previous Article See next Article

2016

Archival inkjet print

Sheet: 11 1/16 × 16 in. (28.1 × 40.7 cm)

Hood Museum of Art, Dartmouth: Purchased through the Julia L. Whittier Fund

© Darryl DeAngelo Terrell

2023.19.1

Geography

Place Made: United States, North America

Period

21st century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Signed, on reverse, lower right, in black ink: Darryl Terrell / 2023

Label

This image is one of a series of studio portraits of Black men and non-binary people. All the figures in the Hivyo Tété (“so fragile” in Swahili) series are accented with flowers. The light rests on DeAndre’s flower-caressed face as it emerges from the darkness. The contrast of DeAndre’s masculinity with the gentleness of the blooms creates a deeply intimate, wistful, and calm portrait. What does beauty have to do with joy?

From the 2024 exhibition And I'm Feeling Good: Relaxation and Resistance, curated by Alisa Swindell, Associate Curator of Photography

Course History

Art History 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2024

Art History 83.07, Keywords for ARTH: Race, Mary Coffey, Winter 2024

Writing 5.02, How to Look, John Barger, Winter 2024

Writing 5.03, How to Look, John Barger, Winter 2024

Theater 10.55, African and African American Studies 32.15, Curating Black Theater, Monica Ndounou, Spring 2024

Exhibition History

And I'm Feeling Good: Relaxation and Resistance, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 20-April 13, 2024.

Provenance

The artist, Darryl DeAngelo Terrell, Detroit, Michigan; sold to present collection, 2023.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu