Hivyo Tété (Andre)

Label

These individuals, some of whom identify as men and others who identify as non-binary, present a range of Black masculinity that embraces the inclusion of a femme aesthetic through the adornment of flowers. Historically, Black masculinity in the United States has been depicted as aggressive, violent, and hypermasculine. For gay, bisexual, or gender non-conforming Black people designated male at birth, engagement with femininity is often only acknowledged when it is presented as over-the-top, mimicry of women. Darryl DeAngelo Terrell does not conform to racial and/or gender expectations with these tender, color saturated portraits. Rather they let the light find the subjects in the darkness, brightened by the donning of flowers to illustrate a Black masculinity defined by joy, reverence, and gentleness.

From the 2022 exhibition Femme is Fierce: Femme Queer Gender Performance in Photography, curated by Alisa Swindell, Associate Curator of Photography

Course History

SART 30.01/SART 75.01, Photography II/III, Eva O'Leary, Fall 2022

WGSS 10.01, Sex, Gender, and Society, Francine A'Ness, Fall 2022

Writing Program 5.25, Photographic Representations, Amanda Wetsel, Winter 2023

Writing Program 5.24, Photographic Representations, Amanda Wetsel, Winter 2023

Women's, Gender, and Sexuality Studies 2.01, Introduction to Queer Studies, Eng-Beng Lim, Winter 2023

Writing 5.24, Photographic Representations, Amanda Wetsel, Fall 2023

Writing 5.25, Photographic Representations, Amanda Wetsel, Fall 2023

Exhibition History

Femme is Fierce: Femme Queer Gender Performance in Photography, Class of 1967 gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 1-December 17, 2022.

Provenance

The artist, Darryl DeAngelo Terrell, Detroit, Michigan; sold to present collection, 2022.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

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Subjects