Portrait of a Young African Diplomat
attributed to Gonzales Coques, Belgian, Flemish, 1614 - 1684
about 1675
Oil on copper
Overall: 2 13/16 × 2 3/16 in. (7.2 × 5.5 cm)
Frame: 6 7/8 × 4 5/16 in. (17.5 × 11 cm)
Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund
2021.24
Geography
Place Made: Belgium, Europe
Period
1600-1800
Object Name
Painting
Research Area
European History
Painting
Not on view
Label
This miniature captures the likeness of a man of African descent residing in seventeenth-century Europe. Draped in aristocratic attire, the sitter, perhaps an ambassador to the Habsburg court based in Antwerp, showcases his elevated status and integration into the northern European courtly life. The artist’s careful brushwork brings life to the vibrant colors and sumptuous fabrics, while his subject’s contemplative gaze hints at wisdom and resilience. More than just a portrait, the diminutive size and use of oil on copper suggest the painting’s intended purpose as a privately exchanged gift, reflecting the level of interaction between African and European diplomats and elites. Its realistic depiction affirms the agency, presence, and dignity of individuals of African descent. By engaging in this tradition, the portrait materializes the ongoing exchange between African and European courts, capturing a moment of diplomatic dialogue.
Written by Alene Jin, ’25
From the 2023 exhibition Faith and Empire: The Legacy of Conversion and Commerce in the Early Modern World, curated by students of ARTH 20.04, "Faith and Empire: Art in the Early Modern World" taught by Elizabeth Rice Mattison, Andrew W. Mellon Associate Curator of Academic Programming
Course History
ARTH 28.01, The Global Renaissance, Elizabeth Kassler-Taub, Fall 2021
HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022
HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022
HIST 5.08/AAAS 19, Africa and the World, Naaborko Sackeyfio-Lenoch, Summer 2022
Writing Program 5.25, Photographic Representations, Amanda Wetsel, Winter 2023
Writing Program 5.24, Photographic Representations, Amanda Wetsel, Winter 2023
Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023
History 10.02, Archival Research, M. Cecillia Gaposchkin, Summer 2023
Writing 5.24, Photographic Representations, Amanda Wetsel, Fall 2023
Writing 5.25, Photographic Representations, Amanda Wetsel, Fall 2023
Writing 5.32, Photographic Representations, Amanda Wetsel, Winter 2024
Writing 5.33, Photographic Representations, Amanda Wetsel, Winter 2024
Art History 28.01, The Global Renaissance, Elizabeth Kassler-Taub, Spring 2024
Art History 28.01, The Global Renaissance, Elizabeth Kassler-Taub, Spring 2024
Spanish 45.04, Under the Influence, Noelia Cirnigliaro, Spring 2024
History 10.02, Archival Research and the Production of History, Leslie Butler, Summer 2024
First Year Student Enrichment Program, Eugenia Rainey, Summer 2024
Exhibition History
Faith and Empire: The Legacy of Conversion and Commerce in the Early Modern World, Class of 1967 Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 12-December 23, 2023.
Provenance
Private collection, Spain; sold to Rafael Valls, London; sold to present collection, 2021.
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