Ronald Colman and Vilma Bánky for The Magic Flame, Samuel Goldwyn Company
Kenneth Alexander, American (born England), 1887 - 1975
1927
Gelatin silver print
Overall: 22 × 28 in. (55.9 × 71.1 cm)
Hood Museum of Art, Dartmouth: The John Kobal Foundation Collection; Purchased through the Mrs. Harvey P. Hood W'18 Fund
2019.57.28
Geography
Place Made: United States, North America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Label
Photographs from film sets brought Hollywood’s stars one step closer to their adoring fans. Seductive glimpses of actors, cameramen, and directors at work provided a sense of being close to the action. Widely circulated in the press, these photographs served as reminders of the "magic" created by the movies—and, at times, revealed the artifice behind their production as well. Most of these images were created during a break in filming, and actors posed for the photographer as if in the middle of a scene. Some, such as the print of Spencer Tracy and Myrna Loy in Whipsaw, actually show filming in progress. The photographer, Ted Allan, probably asked for a pause in the action in order to take his shot. From the 2022 exhibition Photographs from Hollywood’s Golden Era: The John Kobal Foundation Collection, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art and Katherine W. Hart, former Senior Curator of Collections and Barbara C. & Harvey P. Hood 1918 Curator of Academic Programming
Exhibition History
Photographs from Hollywood's Golden Era: The John Kobal Foundation Collection, Katherine Hart, Sol LeWitt and Class of '67 Galleries, Hood Museum of Art, Dartmouth College, Hanover New Hampshire, February 19 - May 21, 2022.
Publication History
Robert Dance, Glamour of the Gods, Photographs from the John Kobal Foundation, Göttingen, Germany: Steidl, 2008, illustration page 78.
Provenance
John Kobal Foundation Limited, London, England; sold to present collection, 2019.
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