Scratching Chance No. 5

Jonathan Calm, American, born 1971

Share

2005

Digital chromogenic color prints (diptych)

Overall: 25 × 19 1/2 in. (63.5 × 49.5 cm)

Hood Museum of Art, Dartmouth: Gift of Ninah and Michael Lynne

© Jonathan Calm

2018.37.28ab

Geography

Place Made: United States, North America

Period

21st century

Object Name

Painting

Research Area

Painting

Not on view

Label

With interests in architecture and documentary journalism, Jonathan Calm examines the sociocultural, historical, and geopolitical effects of public housing on both sides of the Atlantic. He began his series Scratching Chance Grids (2004–6) after encountering a sycamore tree with a number of losing lottery scratch cards lodged in the trunk—a visual metaphor for economic systems becoming inextricably intertwined with our landscape. Part of Calm’s exploration of the ecosystems of urban housing projects, these images, taken around the boroughs of New York, “flesh out the stakes of pleasure, reward, escape, despair, resignation and addiction in a world,” he states, “where life itself often proves a gamble.”

From the 2019 exhibition New Landscapes: Contemporary Responses to Globalization, curated by Jessica Hong, Associate Curator of Global Contemporary Art

Exhibition History

New Landscapes: Contemporary Responses to Globalization, Class of 1967 Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 15-August 18, 2019.

Offline & Infamous, Caren Golden Fine Art, New York, May 20 - June 25, 2005

Provenance

Caren Golden Fine Art, New York, New York, date unknown; private collection; given to present collection, 2018.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu