Untitled

Inscriptions

Inscribed on frame backing paper, upper right, in blue ink: JOHN HULTBERG / Purchased Provincetown Mass / c.1958-1961

Label

I looked deep into my solitudinous pool, and this is what I found,Semi-abstract hankerings suspended between verisimilitude and shapesOf sterility’s sour geometry. --John Hultberg

Rather than mining specific images “of something,” John Hultberg, wanted his paintings to “be something.” Our viewing experience, though not strictly determined, would come to define the work of art. Hultberg presents shapes, lines, textures, and colors to which viewers may respond both consciously and unconsciously. Just when we begin to sense a scene, suggested here by what could be a horizon separating land and sky, he interrupts our view with the bold grey, yellow, and red geometric shapes.

From the 2023 exhibition The Painter's Hand: U.S. Abstraction since 1950, curated by John Stomberg, Virginia Rice Kelsey 1961s Director

Course History

Studio Art 25.01, Painting I, Daniele Genadry, Summer 2023

Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023

Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023

First Year Student Enrichment Program - Cultures, Identities and Belongings, Francine A'Ness, Summer 2023

Studio Art 15.04, Drawing I, Enrico Riley, Fall 2023

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Fall 2023

Studio Art 25.01, Painting I, Jen Caine, Fall 2023

Writing 5.05, Image and Text, Becky Clark, Fall 2023

Writing 5.06, Image and Text, Becky Clark, Fall 2023

Exhibition History

Art for Dartmouth, Citrin Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 15-February 23, 2020.

The Painter's Hand: U.S. Abstraction since 1950, William B. Jaffe and Evelyn A. Jaffe-Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 3-December 16, 2023.

Provenance

Kedar K. Adour, MD, San Francisco, California; given to present collection, 2017.

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Subjects