Sigismondo Pandolfo Malatesta (1417-1432) (obverse); Fortitude Seated on Malatesta Elephants (reverse)

Inscriptions

Obverse: SIGISMONDVS PANDVLFVS DE MALATESTIS S RO ECLESIE C GENERALIS; reverse: MCCCCXLVI

Label

Medals were essential communicators of dynastic ambitions in northern Italian court cities. Rulers such as the d’Este and Malatesta families began as mercenary generals (condottieri) who sought to transform their military proficiency into permanent political positions. By the 15th century, both families were well established. Artistic exchange was key to their self-image and intermarriage. The visual language of their medals strengthened the families’ claims to power by celebrating powerful alliances, monumental building initiatives, praiseworthy virtues, connections to historical and contemporary rulers, and even divine vows.

From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections

Course History

History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024

History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 20-21.

Provenance

Acquired by Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 2011; given to present collection, 2016.

Catalogue Raisonne

Kress, No. 61; Hill Corpus, No. 174

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