Girolamo Savonarola (1452-1498) (obverse); A City Threatened by the Hand of God (reverse)

Inscriptions

Obverse: HIERONXMVS SAVO FER VIR DOCTISSS ORDINIS PREDICHATORVM; reverse: GLADIVS DOMINI SVP TERAM CITO ET VELOCITER

Label

Portrait medals preserved the memory and identity of the sitter. While they had no worth in an economic sense, they held significant social value. Often combining a portrait, an inscription, and a personal emblem, portrait medals functioned as a kind of propaganda, concentrating key information about the depicted person’s wealth, position, and likeness. The circulation of portrait medals materialized the relationship between the giver and the recipient, and individuals exchanged such gifts in order to forge relationships, seal political alliances, join families in marriage, or show favor. In amassing the portraits of contemporaries, relatives, rivals, and nobility, Europeans articulated their social networks in concrete form. Brought together in the home, often in large quantities, medals functioned in conversation with one another and with their viewers.

From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections

Course History

ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013

ARTH 48.07, Michaelangelo's Modernism, Allan Doyle, Spring 2019

HIST 43.02, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2019

ARTH 27.02, Living Stone: Sculpture in Early Modern Italy, Elizabeth Kassler-Taub, Winter 2022

HIST 43.02, European Intellectual History 1400-1800, Darrin McMahon, Fall 2022

History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024

History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.

Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 50-51.

Provenance

Michael Hall, New York, New York; sold to Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 1992-1995 and 2011; given to present collection, 2016.

Catalogue Raisonne

Kress, No. 282; Hill Corpus, No. 1076

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Subjects