Isotta degli Atti da Rimini (obverse); Elephant (reverse)
Matteo di Andrea de' Pasti, Italian, about 1420 - after 1467
1446
Bronze
Overall: 3 5/16 × 3 5/16 × 3/8 in. (8.4 × 8.4 × 1 cm)
Weight: 263 g (0.6 lb.)
Hood Museum of Art, Dartmouth: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019
2016.64.111
Geography
Place Made: Italy, Europe
Period
1400-1600
Object Name
Sculpture: Medal
Research Area
Sculpture
Not on view
Inscriptions
Inscribed, on obverse, left side: .D.ISOTTAE.; right side: ARIMINESI.; dated, on reverse, bottom center: M.CCCC.XLVI
Course History
ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013
HIST 43.02, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2019
HIST 43.02, European Intellectual History 1400-1800, Darrin McMahon, Fall 2022
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18, 2001-April 7, 2002.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-September 22, 2000.
Ivan Albright Gallery, Hoood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 16, 2009.
Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.
The Power of Appearances: Renaissance and Reformation Portrait Prints and Medals, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 3, 2000.
Publication History
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 18-19.
Provenance
Acquired by Roger Arvid Anderson, San Francisco, California, date unknown; lent to present collection, 1998; given to present collection, 2016.
Catalogue Raisonne
Kress, No. 63; Hill Corpus, No. 187
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