La Retaguardia
José Clemente Orozco, Mexican, 1883 - 1949
1929
Lithograph on cream wove Rives BFK paper
Unnumbered (Edition of 100; some copies unnumbered)
Image: 14 × 18 3/4 in. (35.6 × 47.7 cm)
Sheet: 15 15/16 × 22 13/16 in. (40.5 × 58 cm)
Hood Museum of Art, Dartmouth: Purchased through the Robert J. Strasenburgh II 1942 Fund
© 2018 Artists Rights Society (ARS), New York / SOMAAP, Mexico City
2015.1.1
Printer
George C. Miller
Geography
Place Made: Mexico, North America
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Initialed, in stone, lower right: J. C.O.; signed, in graphite, below image, lower right: Jose Clemente Orozco; Watermark: BFK / FRANCE
Label
Here Orozco depicts several soldaderas, female soldiers fighting in the Mexican Revolution (1910– 1920), following behind a number of male fighters. This lithograph presents these soldaderas as both soldiers and mothers, as they carry both guns and children on their backs. This work is inspired by the Revolutionaries panel from Orozco’s fresco mural at the National Preparatory School in Mexico City, repackaged in a portable form for a U.S. audience. From the 2023 exhibition A Space for Dialogue 110, Constructing the Ideal Soldier, curated by Nathan Savo '24, Class of 1954 Intern
Course History
ARTH 72, Mexican Muralism, Mary Coffey, Spring 2015
ARTH 40.04, LACS 30.09, Mexicanidad: Constructing and Dismantling Mexican National Identity, Mary Coffey, Winter 2019
Exhibition History
A Space for Dialogue 110, Constructing the Ideal Soldier, Nathan Savo, Class of 2024, Curator, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, 7 January - 26 February 2023
Published References
Camo, Gabriela, Jocelyn Olcott and Mary K. Vaughn. Sex in Revolution: Gender, Politics and Power in Modern Mexico. Durham: Duke University Press, 2006. Charlot, Jean. "Orozco in New York: Based on His Letters to the Author." College Art Journal. 19.1 (Autumn, 1959), 40-53. http://www.jstor.org/stable/774081. Mello, Renato González, and Diane Miliotes, eds. Jose´ Clemente Orozco in the United States: 1927-1934. New York: Norton, 2002. Hood Museum of Art.
Provenance
Weyhe Gallery, Mount Desert, Maine; sold to present collection, 2015.
Catalogue Raisonne
Clemente Orozco, Jose Clemente Orozco, Graphic Works, 2004, no. 4.
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