Real Doll, Raquel 2
Martine Gutierrez, American, born 1989
2013
Archival inkjet print
8/10
Image: 8 × 12 1/16 in. (20.3 × 30.6 cm)
Sheet: 12 × 16 1/16 in. (30.5 × 40.8 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from Mr. and Mrs. Joseph H. Hazen, by exchange
2014.25.2
Portfolio / Series Title
Real Dolls
Geography
Place Made: United States, North America
Period
21st century
Object Name
Photograph
Research Area
Photograph
Not on view
Inscriptions
Initialled, on reverse, lower right, in graphite: MG; numbered, on reverse, lower left, in graphite: 8/10
Label
In these two prints, Martine Gutierrez plays the role of Raquel, one of four life- size sex doll personae created and performed as part of her Real Dolls series. Posing in domestic spaces with vacant eyes and motionless joints, Gutierrez highlights the thin line between fiction and reality and prompts viewers to consider what happens when those lines are blurred. A Latinx, Indigenous, and transgender artist, she often pushes against society’s perpetuation of, in her words, "rigid constructs—fabricated dichotomies like ‘male’ vs. ‘female,’ ‘gay’ vs. ‘straight,’ ‘minority’ vs. ‘white,’ ‘reality’ vs. ‘fantasy,’ ‘dominant’ vs. ‘submissive,’ etc.," by exploring the ambiguity and fluidity of such categories. For the Real Dolls series, Gutierrez wore a variety of looks and poses she imagined would cater to heteronormative male consumers. Hanging near Francesca Woodman’s My House, Providence, Rhode Island, Gutierrez’s Raquel 2 features a figure similarly wrapped in plastic and tucked into the corner of a house, both bodies trapped within the confines of domesticity. From the 2022 exhibition Embodied: Artist as Medium, curated by Isadora Italia, Campus Engagement Manager
Course History
WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015
WRIT 5, Visual Culture, Aimee Bahng, Winter 2015
WRIT 8, Writing with Media, Kenneth Bauer, Spring 2015
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
WGSS 16.01, Contemporary Issues in Feminism, Mingwei Huang, Spring 2021
Exhibition History
About Face: Self-Portraiture in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-August 30, 2015.
Embodied: Artist as Medium, Isadora Italia, MALS Class of 2022, Sol LeWitt Wall, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 1–December 17, 2022.
Provenance
Ryan Lee Gallery, New York, New York; sold to present collection, 2014.
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