The Three Trees
Rembrandt van Rijn, Dutch, 1606 - 1669
1643
Etching, drypoint and engraving on laid paper
Plate: 8 3/8 × 11 1/8 in. (21.3 × 28.2 cm)
Sheet: 8 11/16 × 11 5/16 in. (22.1 × 28.8 cm)
Hood Museum of Art, Dartmouth: Gift of the Estate of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935
2013.7.2
Geography
Place Made: Netherlands, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
In plate, lower left: Rembrandt f 1643; collection mark of F. Locker Lampson (Lugt 1692)
Course History
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013
ARTH 16.2, Picasso: The Vollard Suite, Michae R. Taylor, Fall 2013
SPAN 32, Introduction to Hispanic Studies III: 20th-21st Centuries, Sara Munoz, Fall 2013
ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015
WRIT 7 , Religion and Literature: Re-visioning the Natural, Nancy Crumbine, Spring 2015
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019
SART 20/SART 71, Drawing II/III, Jen Caine, Spring 2022
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire. 29 January 2020.
Ivan Albright Gallery [exhibited in conjunction with the Spring Hood Museum Board of Overseers Meeting to honor the Weils and their son and daughters, including Dr. Laurie Weil a member of the Hood's current Board of Overseers), Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 9-10, 2013.
Picasso: The Vollard Suite, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.
Virtual Space for Dialogue, 2018, Symbolic Landscape: Exloring the Semiotics of Landscape in Rembrandt's "Three Trees", Tess McGuinness, Class of 2018, Kathryn Conroy Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, https://www.tmcguinness.vsfd.hoodmuseum.dartmouth.edu/
Publication History
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, p.63, ill p.62, listed p.113, no. 240.
Provenance
Frederick Locker Lampson (1821-1895), Rowfant, Sussex; sold by Christie's London, December 20, 1918, among lots 136-43; Mr. and Mrs. W. Clifford Klenk; sold by Sotheby Parke Bernet, New York, February 16, 1979, lot 694; private collection; private sale, Sotheby's New York, July 3, 1986; Adolph Weil Jr. and Jean K. Weil; given to current collection 2013.
Catalogue Raisonne
New Hollstein (NHD) 214 only; Bartsch, Hollstein 212; Hind 205
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