Fishing

Luke Anguhadluq, Inuit / Canadian, 1895 - 1982
Canadian Inuit
Central Arctic
Arctic

Share

1973

Stonecut print and stencil on paper

34/50

Image: 9 1/2 × 18 1/2 in. (24.1 × 47 cm)

Hood Museum of Art, Dartmouth: Gift of Jane and Raphael Bernstein

2011.64.3

Printer

Margaret Toodlik Amarook

Publisher

Sanavik Cooperative, Baker Lake (Qamanittuaq)

Geography

Place Made: Qamanittuaq (Baker Lake), Canada, North America

Period

20th century

Object Name

Print

Research Area

Native American

Native American: Arctic-Central and Eastern

Print

Not on view

Inscriptions

Inscribed, numbered, and dated, in graphite, lower left to right: Fishing 34/50 1973 Anguhadluq, Tullik; Baker Lake chop [yellow bow and arrow]; Reverse, in graphite, lower left: 17-74.

Label

In the image above, Luke Anguhadluq makes skillful use of negative space to illustrate an Inuit technique of building a saputi, or stone weir in a river. A group of individuals have built a saputi using a circle of stones to divert fish into a small pond where they use kakivat, or three-pronged spears, to capture the fish. In the image below, Anguhadluq depicts two men using bows and arrows to hunt caribou. Like Jessie Oonark in her image of this subject on the opposite wall, Anguhadluq uses the same colors in his depictions of both the hunters and the caribou, demonstrating a connection between the human and nonhuman beings.

From the 2021 exhibition A Legacy for Learning: The Jane and Raphael Bernstein Collection, curated by Jami C. Powell, Curator of Indigenous Art; Katherine W. Hart, Senior Curator of Collections and Barbara C. & Harvey P. Hood 1918 Curator of Academic Programming; John R. Stomberg Ph.D, Virginia Rice Kelsey 1961s Director; Jessica Hong, Associate Curator of Global Contemporary Art; and Melissa McCormick, Professor of Japanese Art and Culture at Harvard University

Course History

ENVS 80, BIOL 148, Polar Science, Policy, and Ethics, Ross Virginia, Spring 2012

ENVS 80, BIOL 148, Polar Science, Policy, and Ethics, Ross Virginia, Spring 2013

ENVS 15, Environmental Issues: Earth's Cold Region, Spring 2019

Arctic Health Conference Viewing, Winter 2020

NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020

Exhibition History

Inuit Art

Inuit Qaujimajatuqangit, Legacy for Learning: The Jane and Raphael Bernstein Collection, Class of 1967 Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 4, 2021–February 6, 2022.

Tradition and Transformation: Twentieth Century Inuit Art from the Collection of the Hood Museum of Art, Gene Y. Kin Class of 1985 Gallery, Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 22, 2014-December 6, 2015.

Publication History

John R. Stomberg, A Legacy for Learning: The Jane and Raphael Bernstein collection; Hanover, New Hampshire, Dartmouth College, Hood Museum of Art, 2021, plate 25, p.50, listed p. 99.

Published References

Sanavik Cooperative, Baker Lake, 1974 Prints, Baker Lake, Northwest Territories: Sanavik Cooperative, 1974, catalogue no. 17.

Provenance

Canadian Guild of Crafts, Montreal, Quebec, Canada; sold to Jane and Raphael Bernstein, Ridgewood, New Jersey, December 10, 1970; lent to present collection, 2011; given to present collection, 2013.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu