blak 'n' blue
Tony Albert, Girramay / Kuku Yalanji / Australian, born 1981
Girramay
Kuku Yalanji
2009
Watercolor on Arches Aquarelle paper
Overall: 28 3/8 × 12 5/8 in. (72 × 32 cm)
Hood Museum of Art, Dartmouth: Gift of Will Owen and Harvey Wagner
2011.60.66.3
Geography
Place Made: Australia, Oceania
Period
21st century
Object Name
Watercolor
Research Area
Watercolor
Not on view
Course History
WRIT 5, Expository Writing, Carl Thum, Winter 2013
WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012
WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012
SART 29, Photography I, Brian Miller, Fall 2012
SART 30, Photography II, Brian Miller, Fall 2012
SART 25, Painting I, Esme Thompson, Fall 2012
SART 25, Painting I, Enrico Riley, Fall 2012
ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012
THEA 28, Dance Composition, Ford Evans, Fall 2012
SART 15, Drawing I, Gerald Auten, Fall 2012
SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012
NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012
ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012
ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012
ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021
ANTH 73.01, Main Currents in Anthropology, Sienna Craig, Winter 2022
SOCY 2.01, Social Problems, Kristin Smith, Winter 2022
ANTH 28/AAAS 88.08/WGSS 42.05, Ethnography of Violence, Chelsey Kivland, Spring 2022
ANTH 55.01, Anthropology of Global Health, Anne Sosin, Spring 2022
GEOG 72.01/AAAS 67.50/WGSS 66.09, Black Consciousness Black Feminism, Abby Neely, Spring 2022
HIST 2.01, #EverythingHasAHistory, Julia Rabig and Darryl Barthe, Fall 2022
HIST 2.01, #EverythingHasAHistory, Julia Rabig and Darryl Barthe, Fall 2022
Sociology 2.01, Social Problems, Kristin Smith, Winter 2023
Geography 25.01, Sociology 49.22, Women’s Gender, and Sexuality Studies 37.03, Social Justice and the City, Erin Collins, Fall 2023
Anthropology 73.01, Main Currents in Anthropology, Sienna Craig, Spring 2024
Exhibition History
Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.
Publication History
Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, p. 155, no. 103.
Provenance
Gallerysmith, North Melbourne, Victoria, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, 2010; lent to present collection, 2011; given to present collection, 2013.
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