Echidna

Course History

WRIT 5, Expository Writing, Carl Thum, Winter 2013

WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012

SART 29, Photography I, Brian Miller, Fall 2012

SART 30, Photography II, Brian Miller, Fall 2012

SART 25, Painting I, Esme Thompson, Fall 2012

SART 25, Painting I, Enrico Riley, Fall 2012

ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012

THEA 28, Dance Composition, Ford Evans, Fall 2012

SART 15, Drawing I, Gerald Auten, Fall 2012

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012

ANTH 74, The Human Spectrum, Nathaniel Dominy, Spring 2015

ANTH 74, The Human Spectrum, Nate Dominy, Spring 2022

Environmental Studies 26.01, Soil Ecological Systems, Bala Chaudary, Spring 2023

Anthropology 3.01, Introduction to Anthropology, Charis Ford Morrison Boke, Summer 2023

Exhibition History

Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.

Pigment of Imagination, Class of 1967 Gallery, Hood Museum of Art, Dartmouth College, April 15-August 5, 2022.

Publication History

Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, p. 128, no. 23.

Provenance

Sotheby's Australia, Melbourne, Victoria, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, July 2010; lent to present collection, 2011; given to present collection, 2013.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

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