Cornfield and Farmhouse

Inscriptions

Signed, on mount, in graphite, lower right: GEORGE A. TICE.

Label

As manufacturing soared in the late 19th and early 20th centuries, the United States underwent a dramatic period of urbanization. Yet the ideals of rural life—the honesty of labor, providing for one’s family—remained hallmarks of a dominant American cultural identity. George Tice conjured a subtly anachronistic rural idyll in this photograph of an Amish farmstead emerging through the early morning fog, depicting a way of life seemingly unchanged during the social turbulence of the 1960s.

Similarly, in Russell Lee’s photograph taken for the Farm Security Administration in 1941, a muleskinner, or driver, smiles as he sits in the wooden seat of a combine, leading his team across the endless expanse of wheat fields. Lee’s photograph strikes a notably upbeat tone, reinforcing a positive image of American life as World War II raged in Europe.

From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022

Exhibition History

This Land: American Engagement with the Natural World, Rush Family Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 5–April 11, 2022.

Provenance

The artist, New Jersey; sold to Jane and Raphael Bernstein, Ridgewood, New Jersey, March 29, 1989; lent to present collection, 2010; given to present collection, 2013.

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Subjects