The Passion of Jesus in Jerusalem (two of two fragments)
Unknown German, German
1460s
Woodcut with hand coloring and xylographic inscriptions on paper
Overall: 10 15/16 × 6 7/8 in. (27.8 × 17.5 cm)
Hood Museum of Art, Dartmouth: Purchased through the Florence and Lansing Porter Moore 1937 Fund, the Robert J. Stasenburgh II 1942 Fund, the Julia L. Whittier Fund, the Barbara Dau Southwell '78 and David P. Southwell T'88 Fund for European Art
2009.67.2
Geography
Place Made: Germany, Europe
Period
1400-1600
Object Name
Research Area
Not on view
Course History
ARTH 43, Northern Renaissance Art, Jane Carroll, Winter 2012
ARTH 15.1, Gothic Art, Jane Carroll, Spring 2019
OSHER, European Manuscript and Print Culture (1300-1600), Daniel Abosso, Fall 2019
OSHER, European Manuscript and Print Culture (1300-1600), Daniel Abosso, Fall 2021
HIST 96.39, Saints and Material Devotion, Cecilia Gaposchkin, Fall 2021
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Exhibition History
Envisioning Jerusalem: Prints from Durer to Rembrandt, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-June 19, 2011.
Publication History
Elizabeth Ross, Picturing Experience in the Early Printed Book: Breydenback's Peregrinatio from Venice to Jerusalem, Penn State University Press, 2014, ill. p. 134 figure 78.
Provenance
Marie-Therese and Andre Jammes, Paris; Les Enluminures, Paris; sold to present collection, 2009.
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