The Circumcision, from The Life of the Virgin

Hendrick Goltzius, Dutch, 1558 - 1617

Share

1593-1594

Engraving on laid paper

Image: 18 1/4 × 13 7/8 in. (46.3 × 35.2 cm)

Sheet: 20 1/2 × 15 13/16 in. (52 × 40.2 cm)

Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil, Jr. 1935 Fund and the Florence and Lansing Porter Moore 1937 Fund

2008.72.4

Geography

Place Made: Netherlands, Europe

Period

1400-1600

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed and dated, in block, lower center: 1594 / HG [H and G overlap]; numbered, in block, lower left margin: 4; inscribed, in block, lower left margin: Cernis vt octaua sit cirumcisus Jesus / Luce puer, tenero accipiens in corpore vulnus; inscribed, in block, lower center margin: Ad normam veteris legis, vitumque receptum, / Jsacidis multos obseruatumque per annos.; inscribed, in block, lower right margin: C. Schoneus ..; numbered, in ink, upper right margin: 4; numbered, in ink, lower right margin: no. 80 [o is superscript]; inscribed, in ink, lower left: EP.; inscribed, in graphite, upper center margin: Circumcision - A. Durer. [in script]; inscribed, in graphite, on reverse, lower left: B. 323 Watermark: Encircled Six-Pointed Star

Course History

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ARTH 7, Knight, Death, and the Devil, Jane Carroll, Spring 2012

ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012

Exhibition History

Envisioning Jerusalem: Prints from Durer to Rembrandt, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-June 19, 2011.

New Acquisitions, Churchill P. Lathrop Gallery, Elevator Vestibule, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 1, 2009-present.

Provenance

James A. Bergquist, Newton Center, Massachusetts; sold to present collection, 2008.

Catalogue Raisonne

Bartsch 18; Hirschmann 12

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu