Vaches sous bois (Cows under Trees), Plate 35 from Quarante Cliché-Glaces (Forty Cliché-Verre)

Charles François Daubigny, French, 1817 - 1878

Share

1862

Cliché-verre on photosensitive paper, mounted on wove paper

Image: 6 1/8 × 7 3/8 in. (15.5 × 18.7 cm)

Sheet (Irreg.): 6 7/16 × 7 5/8 in. (16.3 × 19.3 cm)

Mount: 8 7/8 × 11 1/16 in. (22.5 × 28.1 cm)

Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund

2008.40.1

Geography

Place Made: France, Europe

Period

19th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed, in plate, lower right margin: [CD artist's monogram] DAUbigny; reverse, inscribed, in graphite, center: Con Albey Morance / 3_ Daubigny -; inscribed, in graphite, on wove sheet, lower left margin: Daubigny; inscribed, in graphite, on wove sheet, lower right margin: Vaches à l'abreuvoir; inscribed,in graphite, lower right margin: 62 [encircled]; Vache à l'arbeuvoir [in script, same as graphite inscriptions on front]; Watermark, on wove sheet, left: PETERIES; watermark, on wove sheet, right: LBN / Voiron On old mount, inscribed, in graphite, lower left to center: Charles-Francois Daubigny 1817-1878 Vaches sous bois [title underscored] or Vaches a l'Abreuvoir [title underscored] 1862, cliche verre. Prov.: Albert Morance;

Course History

ARTH 51, Realism, Impressionism, Post-Impressionism, Katie Hornstein, Fall 2012

ARTH 51, Realism, Impressionism, Post-Impressionism, Katie Hornstein, Fall 2012

Provenance

Albert Morance, Paris, France; Susan Schulman Printseller, New York, New York; sold to present collection, 2008.

Catalogue Raisonne

Henriet (1875): 130; Delteil (1906-1926) Vol. 12: 149; IFF (1949): 86

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu