The Ohio Project (8)
Nikki S. Lee, American (born South Korea), born 1970
1999
Fujiflex print on paper
AP 1/2
Overall: 40 × 30 in. (101.6 × 76.2 cm)
Hood Museum of Art, Dartmouth: Purchased through the Elizabeth and David C. Lowenstein '67 Fund
© Nikki S. Lee
2007.59
Geography
Place Made: United States, North America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Course History
ENGL 7, Writing About Art, Brett Gamboa, Winter 2012
WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013
WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013
WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
SART 30, Photography II, Fall 2013
SART 29, Photography I, Fall 2013
WRIT 5, Memoirs of Family, Ellen Rockmore, Winter 2014
WGST 65, Queer Visual Culture, Gabriele Dietze, Winter 2014
COLT 67, AAAS 67, ENGL 54, WGST 52.1, Colonial and Postcolonial Masculinities, Ayo Coly, Winter 2014
SOCY 7.2, Race and Ethnicity, Emily Walton, Spring 2014
WGST 96, Times of Crisis, Annabelle Martin, Spring 2014
WGST 10, Sex, Gender, and Society, Zahra Ayubi, Fall 2014
SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection, Virginia Beahan, Winter 2015
WRIT 5, Visual Culture, Aimee Bahng, Winter 2015
FREN 2, Introductory French II, Gabriele Nencieu, Winter 2015
FREN 2, Introductory French II, Kelly McConnell, Winter 2015
SART 29, Photography I, Christina Seely, Spring 2019
PHIL 23.01, Ethics and the Arts, Kenny Walden, Winter 2020
First Year Student Enrichment Program, John Pfister, Summer 2021
WGSS 10.01 , Sex, Gender and Society, Francine A'Ness, Fall 2021
WGSS 10.01, Sex, Gender, and Society, Doug Moody, Winter 2022
ASCL 7.03,Asian-American Art and Architecture, Sujin Eom, Winter 2023
Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Winter 2023
Asian Society, Culture, & Language 7.03, Asian-American Art and Architecture, Sujin Eom, Winter 2023
Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Fall 2023
Art History 62.81 and Asian Societies, Cultures, and Languages 62.13, Women, Gender & Art, Sunglim Kim, Winter 2024
Asian Societies, Cultures, and Languages 70.24, Asian American Art and Architecture, Sujin Eom, Spring 2024
Exhibition History
A Space for Dialogue 92, Consent: Complicating Agency in Photography, Ashley Dotson, Class of 2018, Conroy Intern, Gina Campanelli, Class of 2018, Class of 1954 Intern, Kimberly Yu, Class of 2018, Homma Family Intern, Marie-Therese Cummings, Class of 2018, Levinson Intern, Tess McGuinness, Class of 2018, Conroy Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-May 5, 2019.
About Face: Self-Portraiture in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-August 30, 2015.
Focus on Photography, Works from 1950 to Today, Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 13-March 8, 2009.
No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, in conjunction with the Humanities Institute, Leslie Center for the Humanities, Dartmouth College, Hanover, New Hampshire, October 6-December 9, 2007.
Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.
The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.
Virtual Space for Dialogue, 2018, The Labor of Art: from Sol LeWitt to the Guerrilla Girls, Kimberly Yu, Class of 2018, Homma Family Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.kyu.vsfd.hoodmuseum.dartmouth.edu/
Publication History
Angela Rosenthal and David Bindman, No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2003, p. 4-5, ill..
Emily Shubert Burke, Focus on Photography, Works for 1950 to Today, Hanover, New Hampshire: Trustees of Dartmouth College, 2009, ill. cover, p. 19, no. 28.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.205, no.260.
John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 195, ill. plate no. 126.
Ashley Dotson, Class of 2018, Conroy Intern, Gina Campanelli, Class of 2018, Class of 1954 Intern, Kimberly Yu, Class of 2018, Homma Family Intern, Marie-Therese Cummings, Class of 2018, Levinson Intern, Tess McGuinness, Class of 2018, Conroy Intern, A Space for Dialogue 92, Consent, Complicating Agency in Photography, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019.
Provenance
Leslie Tonkonow Artworks + Projects, New York, New York; sold to present collection, 2007.
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