What Have We Become? Vol. 3
Nicholas Galanin (Yéil Ya-Tseen), Tlingit/Unangax̂, born 1979
Tlingit
Northwest Coast
2007
Artist's book, 1000 pages cut away to form a negative paper relief of the artist's face
Overall: 3 1/16 × 17 7/16 × 11 5/16 in. (7.7 × 44.3 × 28.7 cm)
Hood Museum of Art, Dartmouth: Purchased through the Virginia and Preston T. Kelsey 1958 Fund
© Nicholas Galanin
2007.36.1
Geography
Place Made: Sitka, United States, North America
Period
21st century
Object Name
Sculpture
Research Area
Native American
Sculpture
Native American: Northwest Coast
Not on view
Inscriptions
Signed, in pencil, on left outer page of book: N G 06
Course History
ANTH 05, Introduction to Archaeology, Nathaniel Kitchel, Summer 2019
ANTH 11, NAS 11, Ancient Native Americans, Nathaniel Kitchel, Fall 2019
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2021
Exhibition History
A Space for Dialogue 95, Creating Knowledge And Control, Annabelle Bardenheier, Class of 2019, Conroy Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-September 22, 2019.
Native American Art at Dartmouth: Highlights from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 8, 2011-March 12, 2012.
Publication History
George P. Horse Capture, Sr., Joe D. Horse Capture, Joseph M. Sanchez, et al., Native American Art at Dartmouth: Hightlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2011, ill. on p. 51 and p. 143, no. 27.
Annabelle Bardenheier, Class of 2019, Conroy Intern, A Space for Dialogue 95, Creating Knowledge And Control, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019.
Provenance
The artist, Sitka, Alaska; sold to present collection, 2007.
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