Il perdono de San Francesco d'Assisi (The Vision of Saint Francis of Assisi)
Federico Barocci, Italian, 1535 - 1612
1581
Etching and engraving on paper
Overall: 21 1/16 × 12 5/8 in. (53.5 × 32.1 cm)
Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund
2006.30
Geography
Place Made: Italy, Europe
Period
1400-1600
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower left: Ostendit Christus se se Franciscus adorat, / Atque animaehic proscit sit sua cuique salus / Annuit æterno firmat sub fædere templum / O'uere Aligerum nomine sancta domus; inscribed, in plate, lower right: FEDERICUS BAROCIVS VRBINAS / Inventor incidebat 1581 / GREGORII XIII PRIVLEGIO / AD X Watermark: Eagle and moon in shield surmounted by a six-pointed star
Course History
ANTH 32, AMES 26, Anthropology of Tibet and the Himalayas, Sienna Craig, Spring 2013
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012
REL 60, Reformations: Protestant and Catholic, Catherine Randall, Fall 2013
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 28.08 – Italian Art from Renaissance to Baroque: Crisis and Intervention, Elizabeth Kassler-Taub, Winter 2020
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Art History 20.04, Faith and Empire, Beth Mattison, Spring 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 24, 2019 - January 28 2020.
Publication History
T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.133, ill. p.132, no. 75.
Provenance
Pia Gallo Fine Old Master and Modern Prints, New York, New York; sold to present collection, 2006.
Catalogue Raisonne
Bartsch vol 17, no 4; The Illustrated Bartsch vol 34 no 4; Pillsbury & Richards 73
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