"1087. Afrique Occidentale - Jeunne Femmes Arabes" (Western Africa - Young Arab Women)

Inscriptions

Printed, in black ink, top center: 1087. - Afrique Occidentale. - Jeunne Femmes Arabes; printed, in black ink, bottom right: Collection Generale Fortier, Dakar Reproduction interdite; stamped, on reverse, in blue ink: Cartes Postales documentaires 19_ / Collection / Louis / HESSENBRUCH No_; inscribed, on reverse, in graphite, top center: Aquarellee / Watercolored

Course History

HIST 7.2, Harem: European Imaginations and Ottoman Realities, Zeynep Turkyilmaz, Katherine Hart, Amelia Kahl, Spring 2012

HIST 66, AAAS 15, History of Africa since 1800, Naaborko Sackeyfio, Spring 2013

WGST 41.4, Transnational Muslim Feminisms, Zahra. Ayubi, Fall 2014

WGST 65.7, Queer Popular Culture, Eng-Beng Lim, Summer 2015

REL 28.04, MES 19.05, WGSS 43.06, Gender in Islam, Zahra Ayubi, Spring 2020

GOVT 86.43/MES 12.14, Intellectual History of Racism, Michelle Clarke and Jonathan Smolin, Spring 2022

First Year Student Enrichment Program – Cultures, Identities and Belongings, Colleen Lannon, Summer 2023

Religion 28.04, Middle Eastern Studies 19.05, Women’s Gender and Sexuality Studies 43.06, Gender in Islam, Zahra Ayubi, Summer 2023

First Year Student Enrichment Program - Cultures, Identities and Belongings, Mokhtar Bouba, Summer 2023

Philosophy 1.11, Art: True, Beautiful, Nasty, John Kulvicki, Summer 2023

Writing 2.05, Why Write, Anyway?, Erkki Mackey, Fall 2023

Writing 5.24, Photographic Representations, Amanda Wetsel, Fall 2023

Writing 5.25, Photographic Representations, Amanda Wetsel, Fall 2023

Anthropology 31.01, Women's Gender, and Sexuality Studies 36.01, Gender in Cross Cultural Perspectives, Sabrina Billings, Fall 2023

Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Fall 2023

Art History 31.01, Arts of South Asia, Seher Agarwala, Fall 2023

Creative Writing 10.02, Writing and Reading Fiction, Katherine Crouch, Fall 2023

Geography 31.01, Postcolonial Geographies, Erin Collins, Fall 2023

Humanities 2.01, The Modern Labyrinth, Dennis Washburn, Paul Carranza, Ainsley Morse, Laura Edmondson, Winter 2024

Writing 5.06, Image and Text, Becky Clark, Winter 2024

Writing 5.07, Image and Text, Becky Clark, Winter 2024

Art History 48.02, Histories of Photography, Katie Hornstein, Spring 2024

College Course 21.01, What's In Your Shoebox?, Francine A'Ness and Mokhtar Bouba, Spring 2024

College Course 21.01, What's In Your Shoebox?, Francine A'Ness and Mokhtar Bouba, Spring 2024

Exhibition Tour: Homecoming: Domesticity and Kinship in Global African Art, Summer 2023

Religion 28.04, Women's, Gender, and Sexuality Studies 43.06, Middle Eastern Studies 19.05, Gender in Islam, Zahra Ayubi, Summer 2024

Exhibition History

A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Olivia Field, Class of 2015, Kathryn Conroy Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18-August 30, 2015.

Black Womanhood: Images, Icons, and Ideologies of the African Body, Owen Robertson Cheatham Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Homecoming: Domesticity and Kinship in Global African Art, Harteveldt Family Gallery, Owen Robertson Cheatham Gallery, and Northeast Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, July 22, 2023–May 25, 2024.

Publication History

Olivia Field, A Space for Dialogue 89, Goddesses, Models, and Prostitutes: An Exploration of the Reclining Female Nude, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2015, checklist no. 3.

Provenance

Alexandre Przopiorski, Lyon, France; sold to present collection, 2006.

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