Exhibitions Archive
Process, Product and Black Practice
Process, product, and practice: the three Ps of art making. This exhibition is an exploration of these three Ps and their implications for Black aesthetic practices through the relationship between process- and product-oriented works by African American artists. Within that relationship lies a goal of redefining Black consciousness in art.
American Art, Colonial to Modern
The works in these two galleries highlight some of the social, economic, and aesthetic developments that shaped Euro-American artistic production from the colonial period the early decades of the 20th century. These ranged from European stylistic influences and shifting taste nationally to te impact of industrialization, urbanization, immigration, and to such watershed events as the Civil War. The installation demonstrates how the Hood continues to build a collection that speaks to a co mprehensive view of American art and its regional distinctions.
CIPX Dartmouth with Kali Spitzer and Will Wilson
Conceptualized by photographer Will Wilson, the collaborative project Critical Indigenous Photographic Exchange (CIPX) responds to the widely circulated ethnographic photography of Native Americans beginning at the turn of the twentieth century. During a ten-day residency at the museum, Kali Spitzer (Kaska Dena) and Will Wilson (Diné) will take tintype portraits of Dartmouth community members, then exhibit selected images.
Humor and the Human Body
The Butt of the Joke"The Butt of the Joke: Humor and the Human Body" aims to explore the reasons why we find certain depictions of the human body funny. Lighthearted and fun, it seeks to prompt both laughter and thoughtful contemplation regarding the ways in which we think about our bodies.
Reconstitution
Institutional spaces have long privileged Euro-American narratives, which has had powerful, even dangerous consequences in our culture and society. Artists in Reconstitution foster the evolution of previously entrenched narratives as they remind us that we are all responsible agents in the complicated processes of writing current and future histories.
The Soul Has Bandaged Moments
Experiencing trauma can change our biochemistry and behavior, producing a disease called PTSD. Contemporary neuroscience research suggests that through the making of art, individuals can recalibrate their biochemistry and cure their symptoms. "The Soul has Bandaged Moments" encourages three conversations: challenging the definition of trauma, exploring trauma as a physiological disease, and proposing different mechanisms of healing.